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Originally released on the tiny Maximum Records imprint, Worth the Weight introduced Anvil fans to new guitarist Sebastian Marino, the replacement for departed axeman Dave Allison.
Considering that this is the only collection of new material that Anvil delivered in the years between 1987 and 1997, it stands to reason that the Toronto outfit took extra care while crafting Worth the Weight, and it shows.
Old-school fans might prefer Anvil's earliest releases, but there is no question that this disc is of a higher standard than its predecessors Pound for Pound and Strength of Steel.
More focused and explosive than these lesser offerings, Worth the Weight comes close to recapturing Anvil's original Canadian metal magic.
From the double-kick-laden "Bushpig" to the tasteful Black Sabbath influence that can be detected throughout, (especially on "Pow Wow" and "Love Me When I'm Dead") Anvil make a genuine musical comeback on the surprising and hard to find Worth the Weight.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | InfanticideIan Dickson, Sebastian Marino, Robb Reiner | Anvil | Play | 07:40 | 17 MB | 56 MB |
| 2 | On the Way To HellIan Dickson, Sebastian Marino, Robb Reiner | Anvil | Play | 06:04 | 13 MB | 44 MB |
| 3 | BushpigIan Dickson, Robb Reiner | Anvil | Play | 04:08 | 9 MB | 32 MB |
| 4 | EmbalmerRobb Reiner | Anvil | Play | 06:53 | 15 MB | 51 MB |
| 5 | Pow WowIan Dickson, Sebastian Marino, Robb Reiner | Anvil | Play | 05:59 | 13 MB | 45 MB |
| 6 | Sins of the FleshRobb Reiner | Anvil | Play | 05:19 | 12 MB | 40 MB |
| 7 | A.Z. #85Ian Dickson, Sebastian Marino, Robb Reiner | Anvil | Play | 03:11 | 7 MB | 24 MB |
| 8 | Sadness | Anvil | Play | 02:22 | 5 MB | 18 MB |
| 9 | Love Me When Iґm Dead | Anvil | Play | 06:25 | 14 MB | 46 MB |
| 48 mins | 110 MB | |||||
| 48 mins | 359 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Renee Adams | Booking |
| 2 | Anvil | Art Direction, Primary Artist, Producer |
| 3 | Chuck Bernal | Booking |
| 4 | Barry Bolton | Cover Illustration |
| 5 | Ian Dickson | Bass, Composer |
| 6 | Josh Javor | Booking |
| 7 | Paul LaChapelle | Engineer, Producer |
| 8 | Sebastian Marino | Composer, Guitar |
| 9 | Gerald McLaughlin | Cover Illustration |
| 10 | Pamela McLaughlin | Creative Consultant |
| 11 | Jenny Modglin | Management |
| 12 | Abdul Hasad Mohammed | Executive Producer |
| 13 | Robb Reiner | Composer, Drums |
| 14 | Rick Sales | Management |
| 15 | Christoph "Stripe" Schinzel | Redesign |
| 16 | Johan Sörensen | Photography |
| 17 | Steve Strange | Booking |
| 18 | The Voo Doo Airforce | Art Direction |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |