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Although this collection has "Don't Answer the Door," "Paying the Cost to Be the Boss," and a nice live recut of "Sweet Sixteen" to highly recommend it, this 1968 LP is hardly King's best, and the "electric" part of the title makes it sound like there's an acoustic B.B.
King album lurking around somewhere that everyone somehow missed in the last 50-plus decades.
To be sure, these are rock-solid performances all recorded between 1965 to 1968, just as King's music was getting slicker and more urban.
But this was one of the albums that helped introduce B.B.
to a more modern audience (it's gone on to sell over a million copies), heading straight to the timeline of "The Thrill Is Gone" and putting him on the map worldwide.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Don't Answer the DoorJames Johnson, Mark Johnson | B.B. King | Play | 04:10 | 9 MB | 0 MB |
| 2 | The B.B. JonesMaya Angelou, Quincy Jones | B.B. King | Play | 02:25 | 5 MB | 0 MB |
| 3 | Paying the Cost to Be the BossB.B. King, Riley King | B.B. King | Play | 02:32 | 5 MB | 0 MB |
| 4 | I Done Got WiseB.B. King, Riley King | B.B. King | Play | 02:21 | 5 MB | 0 MB |
| 5 | You Put It on MeMaya Angelou, Quincy Jones | B.B. King | Play | 02:48 | 6 MB | 0 MB |
| 6 | Messy But GoodQuincy Jones | B.B. King | Play | 02:33 | 5 MB | 0 MB |
| 7 | Tired Of Your Jive (Single Version) | B.B. King | Play | 02:10 | 5 MB | 0 MB |
| 8 | All Over Again (Single Version) | B.B. King | Play | 02:35 | 5 MB | 0 MB |
| 9 | Think It Over (Single Version) | B.B. King | Play | 02:49 | 6 MB | 0 MB |
| 10 | Waitin' On You (Single Version) | B.B. King | Play | 02:25 | 5 MB | 0 MB |
| 11 | Night Life (Single Version) | B.B. King | Play | 02:34 | 5 MB | 0 MB |
| 12 | Meet My Happiness (Single Version) | B.B. King | Play | 02:18 | 5 MB | 0 MB |
| 13 | I Don't Want You Cuttin' Off Your Hair (Single Version) | B.B. King | Play | 02:38 | 6 MB | 0 MB |
| 14 | Sweet Sixteen (Live From The International Club, Chicago/1966) | B.B. King | Play | 04:14 | 9 MB | 0 MB |
| 38 mins | 88 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Carl Adams | Composer |
| 2 | Carl Adams | Trumpet |
| 3 | Maya Angelou | Composer, Guest Artist, Vocals |
| 4 | Johnny Board | Sax (Tenor) |
| 5 | Henry Boozier | Trumpet |
| 6 | Randy Boudreaux | Composer |
| 7 | Walt Breeland | Composer |
| 8 | John Browning | Trumpet |
| 9 | Lawrence Burdine | Sax (Alto) |
| 10 | Paul Buskirk | Composer |
| 11 | Billy Butler | Guitar |
| 12 | Brian Christian | Engineer |
| 13 | Pluma Davis | Trombone |
| 14 | Janet Despenza | Composer |
| 15 | Hobart Dotson | Trumpet |
| 16 | Henry Epstein | Cover Design, Design |
| 17 | Ahmet Ertegun | Composer |
| 18 | Mike Fink | Reissue Design |
| 19 | Bobby Forte | Sax (Tenor) |
| 20 | Sonny Freeman | Drums |
| 21 | Barney Hubert | Sax (Baritone) |
| 22 | Duke Jethro | Keyboards, Organ |
| 23 | James Johnson | Composer |
| 24 | Jimmy Johnson | Composer |
| 25 | Jimmy Johnson | Composer |
| 26 | Mark Johnson | Composer |
| 27 | McKinley Johnson | Trumpet |
| 28 | Quincy Jones | Composer, Producer |
| 29 | Joe Josea | Composer |
| 30 | B.B. King | Composer, Guitar, Primary Artist, Vocals |
| 31 | Riley King | Composer |
| 32 | Erick Labson | Digital Remastering |
| 33 | Leo Lauchie | Bass |
| 34 | Andy McKaie | Reissue Producer |
| 35 | Willie Nelson | Composer |
| 36 | Johnny Pate | Composer, Producer |
| 37 | Phil Ramone | Engineer |
| 38 | Louis Satterfield | Bass |
| 39 | Vernon Slater | Sax (Tenor) |
| 40 | Fats Washington | Composer |
| 41 | Fredi Washington | Composer |
| 42 | Ritchie Yorke | Liner Notes |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |