At the beginning of his career, Keb' Mo' appeared to be a clever update of the acoustic bluesman, one that managed to recall country-blues but offer a contemporary spin on tradition -- sort of like a '90s version of Taj Mahal.

With each new album, however, it became clear that authenticity was not a concept that troubled Keb' Mo'.

He was more concerned with offering a nice, smooth bluesy pop that was perfect for the House of Blues, not for seedy roadhouse.

That's not necessarily a bad thing -- it's just the kind of thing that would irritate blues purists who may have placed hope in him in the first place.

Slow Down, Mo's third album, will nevertheless be the kind of album that will please listeners who like laid-back, polished blues, not gritty Chicago or Delta blues.

Approaching Slow Down with this knowledge is helpful, since it isn't a bad album -- it's well-constructed and professionally performed, emphasizing Keb' Mo's ability to craft good, slick blues-rock.

If you like that sound -- the sound of post-Robert Cray blues, with no trace of Stevie Ray Vaughan pyrotechnics -- Slow Down may be just your pace.