Since the Psychonavigation series seems to be reserved for Namlook and Bill Laswell's more deep-space-oriented collaborations (and often with a somewhat gloomy tone), it's not surprising that this third in the series is a shadowy, somewhat Geiger-esque affair.

While a funk-fueled breakbeat track (the only obvious instance of bass guitar during the course of the hour) makes an appearance toward the end of the recording, much of the material is concerned with shifting, overlapping tones and frequencies which combine, harmonize and reverbate.

Sparse vocal samples accentuate Namlook's extended Synthi and Trautonium passages, with Laswell's deep, monochromatic bass textures providing an ample anchor point.