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Herbie Hancock's electric records up until this point were marked by intelligence and adventure, even at their most earthy.
But no, this one doesn't have an ounce of either.
Herbie falls hook, line and sinker for the disco fad and submerges his personality underneath the plastic vocals and four-on-the-floor disco beat.
Hancock's own gauzy vocals through a Sennheiser vocoder are embarrassing, and even his synthesizer work sounds coarse and gimmicky.
This time, even the purists were right; this is of no interest to jazz listeners and it isn't even good disco.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | You Bet Your LoveJeffrey Cohen, Herbie Hancock, David Rubinson | Herbie Hancock | Play | 07:36 | 17 MB | 54 MB |
| 2 | Trust Me | Herbie Hancock | Play | 05:41 | 13 MB | 34 MB |
| 3 | Ready or NotJeffrey Cohen, Ray Parker, Jr. | Herbie Hancock | Play | 06:42 | 15 MB | 45 MB |
| 4 | Tell EverybodyJeffrey Cohen, Herbie Hancock, David Rubinson | Herbie Hancock | Play | 07:09 | 16 MB | 48 MB |
| 5 | Honey from the Jar | Herbie Hancock | Play | 06:51 | 15 MB | 41 MB |
| 6 | Knee Deep | Herbie Hancock | Play | 05:39 | 12 MB | 35 MB |
| 7 | Tell Everybody (Disco Version) | Herbie Hancock | Play | 07:47 | 17 MB | 54 MB |
| 47 mins | 108 MB | |||||
| 47 mins | 313 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Gordon Bahary | Programming |
| 2 | Bryan Bell | Engineer |
| 3 | Phill Brown | Engineer |
| 4 | Fred Catero | Engineer |
| 5 | Jeffrey Cohen | Associate Producer, Composer |
| 6 | Brian Davis | Percussion |
| 7 | Byron Davis | Percussion |
| 8 | Coke Escovedo | Percussion, Timbales |
| 9 | James Gadson | Drums, Guest Artist, Keyboards |
| 10 | Herbie Hancock | Composer, Keyboards, Primary Artist, Producer, Synthesizer, Vocals, Vocals (Background) |
| 11 | Leslie Ann Jones | Assistant Engineer |
| 12 | Ken Kessie | Assistant Engineer |
| 13 | Tony Lane | Art Direction |
| 14 | James Levi | Drums |
| 15 | Bennie Maupin | Percussion, Sax (Soprano), Wind |
| 16 | Chris Minto | Assistant Engineer |
| 17 | Alphonse Mouzon | Drums |
| 18 | Ray Obiedo | Guitar |
| 19 | Ray Parker, Jr. | Bass, Composer, Drums, Guitar |
| 20 | David Rubinson | Composer, Engineer, Producer |
| 21 | Sheila E. | Congas |
| 22 | Bill Summers | Guest Artist, Percussion |
| 23 | Julia Tillman Waters | Vocals (Background) |
| 24 | Cheryl Ward | Assistant Engineer |
| 25 | "Ready" Freddie Washington | Bass |
| 26 | Fred Washington | Bass |
| 27 | Julia Waters | Vocals (Background) |
| 28 | Luther Waters | Vocals, Vocals (Background) |
| 29 | Oren Waters | Vocals (Background) |
| 30 | Eddie Watkins | Bass, Guest Artist |
| 31 | Wah Wah Watson | Guitar, Producer |
| 32 | Jan Weinber | Drums |
| 33 | Maxine Willard Waters | Vocals, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |