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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | If You Want to Find LoveMax D. Barnes, Skip Ewing, Kenny Rogers | Kenny Rogers | Play | 03:08 | 7 MB | 0 MB |
| 2 | Bed of RosesRex Benson, Steve Gillette | Kenny Rogers | Play | 03:41 | 8 MB | 0 MB |
| 3 | Someone Must Feel Like a Fool TonightMike Dekle, Byron Hill | Kenny Rogers | Play | 03:32 | 8 MB | 0 MB |
| 4 | Two Good ReasonsJ.D. Miller, J.P. Pennington | Kenny Rogers | Play | 02:58 | 6 MB | 0 MB |
| 5 | Some Prisons Don't Have WallsMike Dekle, Byron Hill, George Bryon Hill | Kenny Rogers | Play | 03:13 | 7 MB | 0 MB |
| 6 | They Just Don't Make 'Em Like You AnymoreJimmy Webb | Kenny Rogers | Play | 03:49 | 8 MB | 0 MB |
| 7 | When You Were Loving MeBilly Kirsch, Zack Turner | Kenny Rogers | Play | 02:55 | 6 MB | 0 MB |
| 8 | SunshineMickey Newbury | Kenny Rogers | Play | 03:07 | 7 MB | 0 MB |
| 9 | I'll Be There for YouSteve Glassmeyer, Gene Golden, Wood Newton | Kenny Rogers | Play | 02:49 | 6 MB | 0 MB |
| 10 | How Do I Break It to My HeartChapin Hartford, Wendell Mobley, Trisha Yearwood | Kenny Rogers | Play | 03:36 | 8 MB | 0 MB |
| 32 mins | 75 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Max D. Barnes | Composer |
| 2 | Eddie Bayers | Drums |
| 3 | Rex Benson | Composer |
| 4 | The Branson Bros. | Guest Artist |
| 5 | Mark Capps | Assistant Engineer |
| 6 | Don Cobb | Digital Editing |
| 7 | Mark J. Coddington | Assistant Engineer |
| 8 | Linda Davis | Guest Artist |
| 9 | Mike Dekle | Composer |
| 10 | Noah Dewey | Assistant Engineer |
| 11 | Jon "JD" Dickson | Assistant Engineer |
| 12 | Dan Dugmore | Guitar (Steel) |
| 13 | Skip Ewing | Composer |
| 14 | Sonny Garrish | Guitar (Steel) |
| 15 | Rudy Gatlin | Guest Artist |
| 16 | Steve Gatlin | Guest Artist |
| 17 | Steve Gibson | Guitar (Acoustic), Guitar (Electric), Mandola, Mandolin |
| 18 | Steve Gillette | Composer |
| 19 | Steve Glassmeyer | Composer, Vocals (Background) |
| 20 | Gene Golden | Composer, Vocals (Background) |
| 21 | Carl Gorodetzky | Concert Master |
| 22 | Chris Harris | Vocals (Background) |
| 23 | Chapin Hartford | Composer |
| 24 | Mark Heimermann | Vocals (Background) |
| 25 | Hoot Hester | Fiddle, Mandola, Mandolin |
| 26 | Byron Hill | Composer |
| 27 | George Bryon Hill | Composer |
| 28 | John Leslie Hug | Guitar (Acoustic) |
| 29 | Gary Janney | Vocal Harmony, Vocals (Background) |
| 30 | Danny Kee | Production Coordination |
| 31 | Billy Kirsch | Composer |
| 32 | Mike Lawler | Synthesizer |
| 33 | Paul Leim | Drums |
| 34 | Dennis Locorriere | Vocal Harmony |
| 35 | JayDee Mannes | Guitar (Steel) |
| 36 | Terry McBride | Guest Artist |
| 37 | Terry McMillan | Guest Artist, Harmonica, Percussion |
| 38 | J.D. Miller | Composer |
| 39 | Wendell Mobley | Composer |
| 40 | Farrell Morris | Marimba |
| 41 | Phil Naish | Arranger, Keyboards, Synthesizer |
| 42 | Mark Nevers | Assistant Engineer |
| 43 | Mickey Newbury | Composer |
| 44 | Wood Newton | Composer |
| 45 | Jim Ed Norman | Producer |
| 46 | Bobby Ogdin | Keyboards, Piano |
| 47 | J.P. Pennington | Composer |
| 48 | Eric Prestidg | Producer |
| 49 | Eric Prestidge | Arranger, Engineer, Mixing, Producer |
| 50 | Michael Rhodes | Bass |
| 51 | Hargus "Pig" Robbins | Piano |
| 52 | Kenny Rogers | Composer, Guitar, Primary Artist, Vocals |
| 53 | Rail Jon Rogut | Assistant Engineer |
| 54 | Doug Sax | Mastering |
| 55 | Larry Stewart | Guest Artist |
| 56 | Brett Swain | Assistant Engineer |
| 57 | Robert Tassi | Assistant Engineer, Production Coordination |
| 58 | Zack Turner | Composer |
| 59 | Biff Watson | Guitar (Acoustic) |
| 60 | Jimmy Webb | Composer |
| 61 | Bergen White | Arranger, Conductor |
| 62 | Trisha Yearwood | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |