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20th Century Masters - The Millennium Collection: The Best of Sublime gathers most of Sublime's definitive singles and tracks.
The collection covers the obvious inclusions like "What I Got," "Santeria," "Date Rape," "Doin' Time," and "The Wrong Way," and like 1999's Greatest Hits, weighs in at only ten tracks.
Indeed, this compilation is almost identical to Greatest Hits, except it replaces "Pool Shark" and "40oz.
to Freedom" with "April 29 (Miami)" and "Greatest Hits" from Stand by Your Van.
These changes put the emphasis more on Sublime's dub and pop aspirations rather than their thrashy punk side, but 20th Century Masters - The Millennium Collection: The Best of Sublime is still a decent, if small, retrospective that is worthwhile for casual fans.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Date RapeBrad Nowell | Sublime | Play | 03:40 | 8 MB | 26 MB |
| 2 | Smoke Two JointsChris Kay, Michael Kay | Sublime | Play | 02:56 | 6 MB | 20 MB |
| 3 | BadfishBrad Nowell | Sublime | Play | 03:08 | 7 MB | 20 MB |
| 4 | Greatest-HitsBrad Nowell | Sublime | Play | 02:55 | 6 MB | 19 MB |
| 5 | Saw RedBarrington Levy, Brad Nowell | Sublime, Gwen Stefani | Play | 01:59 | 4 MB | 13 MB |
| 6 | What I GotFloyd Gaugh, Brad Nowell, Lindon Roberts, Eric Wilson | Sublime | Play | 02:51 | 6 MB | 19 MB |
| 7 | SanteriaFloyd Gaugh, Brad Nowell, Eric Wilson | Sublime | Play | 03:04 | 7 MB | 21 MB |
| 8 | Wrong WayFloyd Gaugh, Brad Nowell, Eric Wilson | Sublime | Play | 02:16 | 5 MB | 15 MB |
| 9 | Doin' TimeGeorge Gershwin, Ira Gershwin, Marshall Goodman, Dorothy Heyward, DuBose Heyward, Brad Nowell | Sublime | Play | 04:13 | 9 MB | 28 MB |
| 10 | April 29, 1992 (Miami)Marshall Goodman, Michael "Miguel" Happoldt, Michael Happoldt, Brad Nowell, Lawrence Parker, Joseph Williams | Sublime | Play | 03:53 | 8 MB | 25 MB |
| 30 mins | 70 MB | |||||
| 30 mins | 211 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Dave Aron | Programming |
| 2 | Eddie Ashworth | Engineer |
| 3 | Jon Blondell | Trombone |
| 4 | Donnell Cameron | Engineer |
| 5 | Josh Coffman | Photography |
| 6 | John Dunne | Photography |
| 7 | Warren Fitzgerald | Mixing |
| 8 | Todd Foreman | Saxophone |
| 9 | Bud Gaugh | Drums |
| 10 | Floyd Gaugh | Composer |
| 11 | George Gershwin | Composer |
| 12 | Ira Gershwin | Composer |
| 13 | Marshall Goodman | Composer, Drums, Turntables |
| 14 | Michael Happoldt | Composer |
| 15 | Michael "Miguel" Happoldt | Composer |
| 16 | Duane Hartman | Sax (Alto) |
| 17 | Chris Hauser | Trumpet |
| 18 | Dorothy Heyward | Composer |
| 19 | DuBose Heyward | Composer |
| 20 | David Kahne | Mixing, Piano, Producer |
| 21 | Blaine Kaplan | Liner Notes |
| 22 | Chris Kay | Composer |
| 23 | Michael Kay | Composer |
| 24 | Barry Korkin | Editorial Assistant |
| 25 | Paul Leary | Mixing, Producer |
| 26 | Barrington Levy | Composer |
| 27 | Field Marshall | Programming, Turntables |
| 28 | Nick Martin | Trombone |
| 29 | Kelly Martinez | Licensing |
| 30 | Andy McKaie | Artist Coordination |
| 31 | Brad Nowell | Composer, Guitar, Vocals |
| 32 | Ryan Null | Photo Research |
| 33 | Lawrence Parker | Composer |
| 34 | Mike Ragogna | Artist Coordination |
| 35 | Marc Regan | Mastering |
| 36 | Lindon Roberts | Composer |
| 37 | Gwen Stefani | Guest Artist, Primary Artist, Vocals |
| 38 | Beth Stempel | Production Coordination |
| 39 | Sublime | Primary Artist |
| 40 | Stuart Sullivan | Engineer |
| 41 | Vartan | Art Direction |
| 42 | Joseph Williams | Composer |
| 43 | Eric Wilson | Bass, Composer, Organ |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |