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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Winter Vacation | Michio Kinugasa, Shinya Ishikawa | Play | 04:04 | 9 MB | 28 MB |
| 2 | Todokanai Koi (届かない恋) | Uehara Rena | Play | 05:07 | 11 MB | 37 MB |
| 3 | Fuyu No Gairoju (冬の街路樹) | Michio Kinugasa | Play | 03:00 | 6 MB | 15 MB |
| 4 | Dear Friends | Junya Matsuoka | Play | 03:21 | 7 MB | 22 MB |
| 5 | Illumination Town (イルミネーションタウン) | Michio Kinugasa | Play | 03:41 | 8 MB | 27 MB |
| 6 | Itsuka Mita Keshiki (いつか見た景色) | Junya Matsuoka | Play | 02:35 | 5 MB | 13 MB |
| 7 | Slapstick Street | Kazuhide Nakagami | Play | 01:36 | 3 MB | 10 MB |
| 8 | Boy Meets Girl And Girl | Kazuhide Nakagami | Play | 02:35 | 5 MB | 17 MB |
| 9 | Odayaka ni Sugiyuku Toki (穏やかに過ぎゆく時) | Michio Kinugasa | Play | 03:23 | 7 MB | 20 MB |
| 10 | Kotoba ni Dekinai Omoi (言葉にできない想い) | Michio Kinugasa | Play | 03:32 | 8 MB | 15 MB |
| 11 | Ano Koro no You ni (あの頃のように) | Junya Matsuoka, Shinya Ishikawa | Play | 02:58 | 6 MB | 15 MB |
| 12 | Shizuka na Fuyu no Yoru (静かな冬の夜) | Junya Matsuoka | Play | 03:26 | 7 MB | 16 MB |
| 13 | Ichizu na Kokoro (一途な心) | Michio Kinugasa | Play | 02:33 | 5 MB | 17 MB |
| 14 | Koori no Yaiba (氷の刃) | Michio Kinugasa | Play | 03:24 | 7 MB | 13 MB |
| 15 | Hontou no, Uso (本当の、嘘) | Michio Kinugasa | Play | 02:03 | 4 MB | 12 MB |
| 47 mins | 108 MB | |||||
| 47 mins | 285 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |