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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Tomorrow's Gensokyo | Kaminogi Works | Play | 04:48 | 11 MB | 36 MB |
| 2 | Retlo Spective Kyoto ~Hard Aspect Mix~ | Kaminogi Works | Play | 02:22 | 5 MB | 15 MB |
| 3 | Reincarnation | Kaminogi Works | Play | 01:33 | 3 MB | 7 MB |
| 4 | Imperishable Night ~Eastern Night~ False Metal ver | Kaminogi Works | Play | 03:10 | 7 MB | 21 MB |
| 5 | Ensemble Above the Clouds | Kaminogi Works | Play | 02:09 | 4 MB | 13 MB |
| 6 | Lunar Dial | Kaminogi Works | Play | 01:45 | 4 MB | 8 MB |
| 7 | Apparitions Stalk the Night | Kaminogi Works | Play | 04:07 | 9 MB | 25 MB |
| 8 | Getsurin ~Urban Sight Mix~ | Kaminogi Works | Play | 07:01 | 16 MB | 46 MB |
| 9 | Satori Maiden ~Flame Chateau~ | Kaminogi Works | Play | 02:42 | 6 MB | 19 MB |
| 10 | Demystify Feast | Kaminogi Works | Play | 03:40 | 8 MB | 20 MB |
| 11 | Full Moon on the Water's Surface | Kaminogi Works | Play | 01:53 | 4 MB | 12 MB |
| 12 | Dancing Waterspray ~Irish Session~ | Kaminogi Works | Play | 04:18 | 9 MB | 30 MB |
| 13 | Mystic Oriental Love Consultation Summer Live | Kaminogi Works | Play | 02:47 | 6 MB | 19 MB |
| 14 | Love-Colored Magic | Kaminogi Works | Play | 02:53 | 6 MB | 21 MB |
| 15 | playerz score ~low score mix~ | Kaminogi Works | Play | 05:37 | 12 MB | 36 MB |
| 50 mins | 116 MB | |||||
| 50 mins | 334 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |