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Previously titled The Pinch when it was issued on LP in 1977, this material was actually recorded in 1973 and 1974.
These are some of King's most soul-oriented sessions, with contributions from the Memphis Horns and a couple of the MG's.
Blues-oriented fans may find this one of his lesser efforts, putting less emphasis on King's guitar work than usual, and more on the vocals and arrangements.
This approach has its merits, though, as it's one of the more relaxed items in the King catalog, with none of the occasional excess that creeped into his blues guitar solos.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Blues Don't ChangeMark Rice | Albert King | Play | 05:26 | 12 MB | 28 MB |
| 2 | I'm Doing Fine | Albert King | Play | 03:50 | 8 MB | 18 MB |
| 3 | Nice to Be Nice (Ain't That Nice)Mark Rice | Albert King | Play | 03:02 | 6 MB | 16 MB |
| 4 | Oh, Pretty WomanA.C. Williams | Albert King | Play | 04:45 | 10 MB | 25 MB |
| 5 | King of KingsHenry Bush, Sandy Jones | Albert King | Play | 03:28 | 7 MB | 22 MB |
| 6 | Feel the NeedPatrick Moten, Abrim Tilmon | Albert King | Play | 03:30 | 8 MB | 20 MB |
| 7 | I Can't Stand the RainDon Bryant, Donald Bryant, Bernard Miller, Ann Peebles | Albert King | Play | 02:52 | 6 MB | 15 MB |
| 8 | Ain't It BeautifulHenry Bush, Sandy Jones, Clifton William Smith | Albert King | Play | 04:01 | 9 MB | 23 MB |
| 9 | Firing Line | Albert King | Play | 03:44 | 8 MB | 20 MB |
| 10 | The Pinch Paid Off (Part 1) | Albert King | Play | 03:42 | 8 MB | 19 MB |
| 11 | The Pinch Paid Off (Part 2) | Albert King | Play | 04:50 | 11 MB | 27 MB |
| 43 mins | 99 MB | |||||
| 43 mins | 237 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | William Brown | Vocals (Background) |
| 2 | Don Bryant | Composer |
| 3 | Donald Bryant | Composer |
| 4 | Vernon Burch | Guitar |
| 5 | Henry Bush | Composer, Producer, Vocals (Background) |
| 6 | Phil Carroll | Art Direction |
| 7 | Phil DeLancie | Digital Remastering, Remastering |
| 8 | Donald "Duck" Dunn | Bass |
| 9 | Willie Hall | Drums |
| 10 | Hot Buttered Soul Unlimited | Vocals (Background) |
| 11 | Al Jackson, Jr. | Drums |
| 12 | Allen Jones | Producer |
| 13 | Sandy Jones | Composer |
| 14 | Albert King | Guitar, Primary Artist, Vocals |
| 15 | Bobby Manuel | Guitar |
| 16 | Gilles Margerin | Design |
| 17 | Jim Marshall | Photography |
| 18 | The Memphis Horns | Horn |
| 19 | Bernard Miller | Composer |
| 20 | Patrick Moten | Composer |
| 21 | Ann Peebles | Composer |
| 22 | Sir Mack Rice | Composer |
| 23 | Mark Rice | Composer |
| 24 | Clifton William Smith | Composer |
| 25 | Lester Snell | Keyboards |
| 26 | Winston Stewart | Keyboards |
| 27 | Earl Thomas | Bass |
| 28 | Marvell Thomas | Keyboards |
| 29 | Abrim Tilmon | Composer |
| 30 | Michael Toles | Guitar |
| 31 | A.C. Williams | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |