Trying to shake things up, producer Creed Taylor brought in arranger Marty Sheller from Mongo Santamaria's Afro-Cuban band, reduced the sizes of the servings (no track is longer than 3:45), cranked up the decibels to a raucous level, and presented Benson in what he hoped would be a radio-friendly setting.

The wonder is that Benson manages to transcend the blasting Latin-percussion-spiced production, the tight time limits, and all with often brilliantly tasty guitar fills and brief solos in many styles and three reverb-heavy vocals.

The most attractive - and most frustrating - track is Eumir Deodato's lovely "Jackie, All;" George states the tune twice and just as he starts a beautiful solo, the faders go down at the 2:15 mark! Damn.

Worth hearing despite the long production knives.