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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | 410 (Intro)Ajay Bhattacharya, Christopher Gallant | Gallant | Play | 00:48 | 1 MB | 4 MB |
| 2 | Sharpest EdgesAjay Bhattacharya, Trey Campbell, Christopher Gallant | Gallant | Play | 03:09 | 7 MB | 20 MB |
| 3 | CrimesSarah Aarons, Ben Abraham, Ajay Bhattacharya, Christopher Gallant | Gallant | Play | 02:55 | 6 MB | 18 MB |
| 4 | Paper TulipsAjay Bhattacharya, Christopher Gallant | Gallant | Play | 03:30 | 8 MB | 21 MB |
| 5 | Forever 21Ajay Bhattacharya, Christopher Gallant | Gallant | Play | 00:52 | 2 MB | 5 MB |
| 6 | Sweet InsomniaAjay Bhattacharya, Christopher Gallant, Ricardo Valentine | Gallant | Play | 02:43 | 6 MB | 16 MB |
| 7 | HurtChloe Angelides, Matthew Burns, Jacob Kasher Hindlin, Ali Tamposi, Andrew Wotman | Gallant | Play | 03:50 | 8 MB | 25 MB |
| 8 | HipsAjay Bhattacharya, Christopher Gallant | Gallant | Play | 03:13 | 7 MB | 18 MB |
| 9 | PanasonicAjay Bhattacharya, Christopher Gallant | Gallant | Play | 03:44 | 8 MB | 24 MB |
| 10 | CompromiseAjay Bhattacharya, Sabrina Claudio, Christopher Gallant | Gallant | Play | 03:05 | 7 MB | 18 MB |
| 11 | Sleep on ItAjay Bhattacharya, Christopher Gallant, Jeff Gitelman, James Norton | Gallant | Play | 03:36 | 8 MB | 23 MB |
| 12 | KonamiAjay Bhattacharya, Christopher Gallant | Gallant | Play | 00:28 | 1 MB | 1 MB |
| 13 | CélineSarah Aarons, Ben Ash, Ajay Bhattacharya, Christopher Gallant | Gallant | Play | 03:25 | 7 MB | 21 MB |
| 35 mins | 81 MB | |||||
| 35 mins | 219 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Sarah Aarons | Composer |
| 2 | Ben Abraham | Composer |
| 3 | Chloe Angelides | Composer |
| 4 | Ben Ash | Composer |
| 5 | Dale Becker | Mastering |
| 6 | Ajay Bhattacharya | Bass, Composer, Drums, Engineer, Guitar, Keyboards, Organ, Programming, Strings, Synthesizer, Vocals, Vocals (Background) |
| 7 | 6LACK | Featured Artist |
| 8 | Matthew Burns | Composer, Instrumentation, Keyboards, Producer, Programming |
| 9 | Trey Campbell | Composer |
| 10 | Sabrina Claudio | Composer, Featured Artist |
| 11 | Miles Comaskey | Mixing Assistant |
| 12 | Cole DeGenova | Keyboards, Piano |
| 13 | Norva Denton | A&R |
| 14 | DJ Riggins | Mixing Assistant |
| 15 | Anthony Dolhai | Engineer |
| 16 | Erik Eger | Production Coordination |
| 17 | Gallant | Primary Artist |
| 18 | Christopher Gallant | Composer, Engineer |
| 19 | Jeff Gitelman | Composer, Guitar, Producer |
| 20 | Hare Squead | Vocals |
| 21 | Jaycen Joshua | Mixing |
| 22 | Dylan McGee Jones | Engineer, Guitar |
| 23 | Najeeb Jones | Mixing Assistant |
| 24 | Jacob Kasher Hindlin | Composer |
| 25 | Julian Athell Kennedy | Design |
| 26 | Paul Lamalfa | Engineer |
| 27 | Jeremy "J Boogs" Levin | Production Coordination |
| 28 | Andrew Luftman | Production Coordination |
| 29 | Tony Maserati | Mixing |
| 30 | James Norton | Composer |
| 31 | Jacob Richards | Mixing Assistant |
| 32 | Drew Salamunovich | Production Coordination |
| 33 | Sasha Samsonova | Photography |
| 34 | Jacob Scesney | Saxophone |
| 35 | Samantha Corrie Schulman | Production Coordination |
| 36 | Mike Seaberg | Mixing Assistant |
| 37 | Sarah Shelton | Production Coordination |
| 38 | Hannah Sidibe | Vocals |
| 39 | David Silberstein | Production Coordination |
| 40 | Stint | Producer |
| 41 | Ali Tamposi | Composer |
| 42 | Two Inch Punch | Additional Production, Guitar (Bass) |
| 43 | Ricardo Valentine | Composer |
| 44 | Andrew Watt | Guitar, Instrumentation, Keyboards, Producer, Programming |
| 45 | Daniel "Wermser" Werman | A&R |
| 46 | Andrew Wotman | Composer |
| 47 | L. Young | Vocals |
| 48 | Dillon Zachara | Production Coordination |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |