Defiant, emotionally draining country.
Contains "The Very First Lasting Love," a duet with former Exile member Les Taylor.
Defiant, emotionally draining country.
Contains "The Very First Lasting Love," a duet with former Exile member Les Taylor.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Don't Cross Your HeartTony Haselden, Tim Mensy | Shelby Lynne | Play | 02:55 | 6 MB | 19 MB |
2 | I've Learned to LiveDean Dillon, Frank Dycus | Shelby Lynne | Play | 03:51 | 8 MB | 23 MB |
3 | Alive and WellMichael Garvin, Bucky Jones | Shelby Lynne | Play | 03:20 | 7 MB | 20 MB |
4 | A Lighter Shade of BlueMax D. Barnes, Skip Ewing, Troy Seals | Shelby Lynne | Play | 03:46 | 8 MB | 22 MB |
5 | It Must Be YouHugh Prestwood | Shelby Lynne | Play | 03:07 | 7 MB | 19 MB |
6 | You Can't Break a Broken HeartChuck Jones, Chris Waters | Shelby Lynne | Play | 03:14 | 7 MB | 20 MB |
7 | Soft TalkTroy Seals, Eddie Setser | Shelby Lynne | Play | 03:38 | 8 MB | 21 MB |
8 | The Very First Lasting LovePaul Hollowell, Les Taylor, Lonnie Wilson | Shelby Lynne, Les Taylor | Play | 03:33 | 8 MB | 21 MB |
9 | Stop MeJim Lauderdale, John Leventhal | Shelby Lynne, Les Taylor | Play | 03:41 | 8 MB | 23 MB |
10 | It Might Be MeChuck Jones, J.D. Martin | Shelby Lynne | Play | 04:22 | 10 MB | 26 MB |
35 mins | 81 MB | |||||
35 mins | 220 MB |
Artist | Job | |
---|---|---|
1 | Max D. Barnes | Composer |
2 | Milan Bogdan | Digital Editing |
3 | Dean Dillon | Composer |
4 | Frank Dycus | Composer |
5 | Skip Ewing | Composer |
6 | Sonny Garrish | Dobro, Guitar (Steel) |
7 | Michael Garvin | Composer |
8 | Steve Gibson | Guitar (Electric) |
9 | Rodney Good | Assistant Engineer |
10 | Tony Haselden | Composer |
11 | Paul Hollowell | Composer |
12 | Bill Johnson | Art Direction |
13 | Bucky Jones | Composer |
14 | Chuck Jones | Composer, Guitar (Acoustic) |
15 | Ron Keith | Photography |
16 | Julian King | Assistant Engineer |
17 | John Kunz | Mixing Assistant |
18 | Jim Lauderdale | Composer |
19 | Mike Lawler | Organ, Synthesizer |
20 | Paul Leim | Drums |
21 | John Leventhal | Composer |
22 | Shelby Lynne | Primary Artist, Vocals |
23 | J.D. Martin | Composer |
24 | Brent Mason | Guitar (Acoustic) |
25 | Glenn Meadows | Mastering |
26 | Tim Mensy | Composer |
27 | Lynn Peterzell | Engineer, Mixing |
28 | Hugh Prestwood | Composer |
29 | Mickey Raphael | Harmonica |
30 | Troy Seals | Composer |
31 | Eddie Setser | Composer |
32 | Gary W. Smith | Keyboards, Piano |
33 | Les Taylor | Composer, Performer, Primary Artist |
34 | Chris Waters | Composer |
35 | Rollow Welch | Design |
36 | Lonnie Wilson | Composer |
37 | Glenn Worf | Bass |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |