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A grand idea, but Warwick didn't meet the challenge as magically as she might have in the 1960s or '70s.
Instead, she sounded almost prim and stiff instead of engaging and confident.
It was a surprise, given how wonderful Warwick sounded doing similar (though certainly not as well constructed) material from Barry Manilow.
It was still worth hearing, but far from the anticipated triumph.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Night and DayCole Porter | Dionne Warwick | Play | 03:40 | 8 MB | 23 MB |
| 2 | I Love ParisCole Porter | Dionne Warwick | Play | 03:31 | 8 MB | 21 MB |
| 3 | I Get a Kick Out of YouCole Porter | Dionne Warwick | Play | 03:54 | 8 MB | 24 MB |
| 4 | You're the TopCole Porter | Dionne Warwick | Play | 03:26 | 7 MB | 21 MB |
| 5 | I've Got You Under My SkinCole Porter | Dionne Warwick | Play | 03:38 | 8 MB | 23 MB |
| 6 | Begin the BeguineCole Porter | Dionne Warwick | Play | 05:18 | 12 MB | 34 MB |
| 7 | It's All Right With MeCole Porter | Dionne Warwick | Play | 04:39 | 10 MB | 28 MB |
| 8 | Anything GoesCole Porter | Dionne Warwick | Play | 02:38 | 6 MB | 17 MB |
| 9 | All of YouCole Porter | Dionne Warwick | Play | 03:21 | 7 MB | 20 MB |
| 10 | I Concentrate on YouCole Porter | Dionne Warwick | Play | 03:47 | 8 MB | 22 MB |
| 11 | Just One of Those ThingsCole Porter | Dionne Warwick | Play | 03:31 | 8 MB | 20 MB |
| 12 | Night and DayCole Porter | Dionne Warwick | Play | 03:40 | 8 MB | 23 MB |
| 13 | What Is This Thing Called Love? (So In Love) | Dionne Warwick | Play | 03:18 | 7 MB | 17 MB |
| 14 | Night And Day (Jazz version) | Dionne Warwick | Play | 04:12 | 9 MB | 26 MB |
| 15 | You'd Be So Nice To Come Home To | Dionne Warwick | Play | 02:58 | 6 MB | 16 MB |
| 55 mins | 127 MB | |||||
| 55 mins | 341 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Plex Barnhart | Keyboards, Programming, Synthesizer |
| 2 | Errol Crusher Bennett | Percussion |
| 3 | Chuck Berghofer | Bass |
| 4 | Phil Bodner | Clarinet |
| 5 | Kris Brauninger | Assistant Engineer |
| 6 | Bruce Buchanan | Assistant Engineer |
| 7 | Angela Cappelli | Vocals (Background) |
| 8 | Rachele Cappelli | Vocals (Background) |
| 9 | Frank Cardell | Assistant Engineer |
| 10 | Tracy Chisholm | Assistant Engineer |
| 11 | Dominic Cortese | Accordion |
| 12 | Clive Davis | Executive Producer |
| 13 | Clint DeGanon | Drums |
| 14 | Steven Deur | Assistant Engineer |
| 15 | Neil Dignon | Assistant Engineer |
| 16 | Chuck Domanico | Bass |
| 17 | Lisa Fischer | Vocals (Background) |
| 18 | Ellen Fitton | Assistant Engineer |
| 19 | Frank Floyd | Vocals (Background) |
| 20 | Vicky Germaise | Project Coordinator |
| 21 | Maude Gilman | Art Direction |
| 22 | Andrew Granat | Concert Master |
| 23 | Endre Granat | Concert Master |
| 24 | Reggie Griffin | Arranger, Guitar, Keyboards, Programming, Synthesizer |
| 25 | Lani Groves | Vocals (Background) |
| 26 | Don Hahn | Engineer |
| 27 | Anthony Jackson | Bass |
| 28 | Shaun James | Assistant Engineer |
| 29 | Stanley Jordan | Guitar |
| 30 | Rich July | Assistant Engineer |
| 31 | Robbie Kondor | Arranger, Conductor, Drum Programming, Keyboards, Programming, Synthesizer |
| 32 | Harry Langdon | Photography |
| 33 | Marga Laube | Assistant Engineer |
| 34 | Dave Lebolt | Keyboards, Programming, Synthesizer |
| 35 | Dave Lebowitz | Assistant Engineer |
| 36 | Will Lee | Vocals (Background) |
| 37 | Charles Leighton | Harmonica |
| 38 | Tim Leitner | Assistant Engineer |
| 39 | J.T. Lewis | Drums |
| 40 | John Mahoney | Engineer |
| 41 | Arif Mardin | Arranger, Orchestration, Producer |
| 42 | Joe Mardin | Drum Programming, Drums, Keyboards, Percussion, Programming, Synthesizer |
| 43 | Lou Marini | Sax (Alto) |
| 44 | Joe Martin | Assistant Engineer |
| 45 | Harvey Mason, Sr. | Drums |
| 46 | Peter Matz | Arranger, Orchestration |
| 47 | Bill Miranda | Assistant Engineer |
| 48 | Jeff Mironov | Guitar |
| 49 | Rob Mounsey | Drum Programming, Keyboards, Programming, Synthesizer |
| 50 | Michael O'Reilly | Engineer, Mixing |
| 51 | Rod O'Brien | Engineer |
| 52 | Gene Orloff | Concert Master |
| 53 | Wayne Pedziwiatr | Bass |
| 54 | Jim Petrie | Assistant Engineer |
| 55 | Cole Porter | Composer |
| 56 | Darin Prindle | Assistant Engineer |
| 57 | Anthony Ranieri | Design |
| 58 | Philippe Saisse | Keyboards, Programming, Synthesizer |
| 59 | Nick Sansano | Engineer |
| 60 | Steven Schaeffer | Drums |
| 61 | Marc Shaiman | Arranger, Orchestration |
| 62 | Frank Simms | Vocals (Background) |
| 63 | Frankie Lee Sims | Vocals (Background) |
| 64 | David Spinozza | Guitar |
| 65 | Arthur Steuer | Assistant Engineer |
| 66 | Mark Stevens | Vocals (Background) |
| 67 | Dave Swanson | Assistant Engineer |
| 68 | Jonathan Tunick | Arranger, Orchestration |
| 69 | Gerald Vinci | Concert Master |
| 70 | Dionne Warwick | Primary Artist, Vocals |
| 71 | Grover Washington, Jr. | Sax (Soprano), Saxophone |
| 72 | Dan Wood | Assistant Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |