Music From Vietnam, Vol. 3 - Ethnic Minorities (Part 1)

	Title/Composers	Performer	Listen	Time	Size	Size
1	Cao Nguyên Bac La (The immense highland, kipah cow horn solo)	Various Artists	Play	02:09	4 MB	9 MB
2	Dinh Tăktàr (Ê- Đê)	Various Artists	Play	02:02	4 MB	12 MB
3	Mo-đánh Thực Vât Thiêng - Mường (Ceremonial cult music)	Various Artists	Play	03:10	7 MB	13 MB
4	Ru Con - Hmông (Traditional lullaby)	Various Artists	Play	01:53	4 MB	8 MB
5	Tiếng Thỏ - Hmông	Various Artists	Play	00:54	2 MB	4 MB
6	Ba Bê Pe Tiên - Nùng (The fairyland of Ba Be lake)	Various Artists	Play	03:58	9 MB	21 MB
7	Ciriria - Ê Đê (Ancient Piece for Gongs, Drum, Wind)	Various Artists	Play	03:24	7 MB	18 MB
8	Muyn Kuit - Ê đê (Greeting Guests)	Various Artists	Play	01:56	4 MB	8 MB
9	Thương Cô - Mường (Flute & Koke Duo)	Various Artists	Play	02:11	5 MB	12 MB
10	Gọi Bạn (Signal call played on a leaf)	Various Artists	Play	00:29	1 MB	2 MB
11	Núi Rừng - Hmông (Forest and mountain, for 2 wind instr.)	Various Artists	Play	02:06	4 MB	9 MB
12	Trách Bạn - Mường (trad. love song, unaccomp. by 74-year old woman)	Various Artists	Play	01:45	4 MB	7 MB
13	Giai Điệu - Mường (dinh taktar, a 'double clarinet')	Various Artists	Play	03:21	7 MB	14 MB
14	Nio Vit H'gum - Ê Đê (Welcoming music for gong ensemble)	Various Artists	Play	02:21	5 MB	12 MB
15	Thuong Dang (song 'shadowed' by string instr. koke)	Various Artists	Play	04:12	9 MB	21 MB
				35 mins	82 MB
				35 mins	176 MB

Note: You are able to listen to 30-second samples for preview purpose.

Quality	Format	Encoding	Description
Standard	MP3	320kps 44.1kHz	MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one.
CD Quality	FLAC	16bit 44.1kHz	FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD).

Ethnic Minorities (Part 1)