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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Applause (Before Mozart: Requiem K626) | Audience | Play | 00:39 | 1 MB | 0 MB |
| 2 | Requiem in D Minor K626, I. Introitus: Requiem aeternam | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 07:51 | 17 MB | 0 MB |
| 3 | Requiem in D Minor K626: II. Kyrie | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 03:16 | 7 MB | 0 MB |
| 4 | Requiem in D Minor K626, III. Sequenz: Dies irae | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 02:03 | 4 MB | 0 MB |
| 5 | Requiem in D Minor K626, III. Sequenz: Tuba mirum | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:57 | 11 MB | 0 MB |
| 6 | Requiem in D Minor K626, III. Sequenz: Rex tremendae majestatis | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 03:18 | 7 MB | 0 MB |
| 7 | Requiem in D Minor K626, III. Sequenz: Recordare, Jesu pie | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 06:14 | 14 MB | 0 MB |
| 8 | Requiem in D Minor K626, III. Sequenz: Confutatis maledictus | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:03 | 9 MB | 0 MB |
| 9 | Requiem in D Minor K626, III. Sequenz: Lacrimosa dies illa | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:06 | 9 MB | 0 MB |
| 10 | Requiem in D Minor K626, IV. Offertorium: Domine Jesu Christe | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:32 | 10 MB | 0 MB |
| 11 | Requiem in D Minor K626, IV. Offertorium: Versus: Hostias et preces | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:49 | 11 MB | 0 MB |
| 12 | Requiem in D Minor K626: V. Sanctus | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 01:53 | 4 MB | 0 MB |
| 13 | Requiem in D Minor K626: VI. Benedictus | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 06:46 | 15 MB | 0 MB |
| 14 | Requiem in D Minor K626: VII. Agnus Dei | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 04:35 | 10 MB | 0 MB |
| 15 | Requiem in D Minor K626: VIII. Communio - Lux aeterna - Cum sanctis tuis | Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache | Play | 07:55 | 18 MB | 0 MB |
| 16 | Applause (After Mozart: Requiem K626) | Audience | Play | 01:34 | 3 MB | 0 MB |
| 68 mins | 157 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |