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Atlantic Records, somewhat perversely, chose to release two performances from this concert that had the strongest aura of "jam session" about them.
But the show included a solid opening set by the working band of the time, as well as a freer finale, all of which remains unissued.
This is a fun 45 minutes, particularly for the jovial interplay between saxophonists Kirk and Adams, but in its released form, only hints at the strength of The Jazz Workshop in 1974.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | C Jam BluesBarney Bigard, Duke Ellington | Charles Mingus | Play | 24:35 | 56 MB | 158 MB |
| 2 | PerdidoErvin Drake, H.J. Lengsfelder, Juan Tizol | Charles Mingus | Play | 21:53 | 50 MB | 143 MB |
| 46 mins | 106 MB | |||||
| 46 mins | 302 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | George Adams | Sax (Tenor) |
| 2 | Aaron Baron | Engineer |
| 3 | Barney Bigard | Composer |
| 4 | Hamiet Bluiett | Guest Artist, Sax (Baritone) |
| 5 | Joel Dorn | Producer |
| 6 | Ervin Drake | Composer |
| 7 | Jean Dupuy | Design |
| 8 | Duke Ellington | Composer |
| 9 | Nesuhi Ertegun | Executive Producer |
| 10 | Jon Faddis | Guest Artist, Trumpet |
| 11 | John Handy | Guest Artist, Sax (Alto), Sax (Tenor) |
| 12 | Daniel Hersch | Remastering |
| 13 | Andrew Homzy | Liner Notes |
| 14 | Sy Johnson | Liner Notes |
| 15 | Rahsaan Roland Kirk | Guest Artist, Sax (Tenor), Stritch |
| 16 | H.J. Lengsfelder | Composer |
| 17 | Charles McPherson | Sax (Alto) |
| 18 | Patrick Milligan | Reissue Supervisor |
| 19 | Ilhan Mimaroglu | Producer |
| 20 | Charles Mingus | Bass, Primary Artist |
| 21 | Don Pullen | Guest Artist, Piano |
| 22 | Bryan Rackleff | Reissue Design |
| 23 | Dannie Richmond | Drums |
| 24 | Coco Shinomiya | Art Direction |
| 25 | Juan Tizol | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |