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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Main TitlesMarco Beltrami | Marco Beltrami | Play | 02:21 | 5 MB | 0 MB |
| 2 | LauraMarco Beltrami | Marco Beltrami | Play | 02:24 | 5 MB | 0 MB |
| 3 | The Grim ReaversMarco Beltrami | Marco Beltrami | Play | 01:32 | 3 MB | 0 MB |
| 4 | Old Man LoganMarco Beltrami | Marco Beltrami | Play | 02:45 | 6 MB | 0 MB |
| 5 | Alternate Route to MexicoMarco Beltrami | Marco Beltrami | Play | 01:23 | 3 MB | 0 MB |
| 6 | That's Not a Choo-ChooMarco Beltrami | Marco Beltrami | Play | 02:13 | 5 MB | 0 MB |
| 7 | X-24Marco Beltrami | Marco Beltrami | Play | 02:46 | 6 MB | 0 MB |
| 8 | El Limo-NatorMarco Beltrami | Marco Beltrami | Play | 01:38 | 3 MB | 0 MB |
| 9 | Gabriella's VideoMarco Beltrami | Marco Beltrami | Play | 02:36 | 5 MB | 0 MB |
| 10 | To the CemeteryMarco Beltrami | Marco Beltrami | Play | 00:55 | 2 MB | 0 MB |
| 11 | Goodnight MoonMarco Beltrami | Marco Beltrami | Play | 01:55 | 4 MB | 0 MB |
| 12 | Farm AidMarco Beltrami | Marco Beltrami | Play | 03:11 | 7 MB | 0 MB |
| 13 | Feral TweenMarco Beltrami | Marco Beltrami | Play | 03:34 | 8 MB | 0 MB |
| 14 | Driving to MexicoMarco Beltrami | Marco Beltrami | Play | 01:42 | 3 MB | 0 MB |
| 15 | You Can't Break the MouldMarco Beltrami | Marco Beltrami | Play | 01:07 | 2 MB | 0 MB |
| 16 | Up to EdenMarco Beltrami | Marco Beltrami | Play | 01:51 | 4 MB | 0 MB |
| 17 | Beyond the HillsMarco Beltrami | Marco Beltrami | Play | 02:09 | 4 MB | 0 MB |
| 18 | Into the WoodsMarco Beltrami | Marco Beltrami | Play | 03:09 | 7 MB | 0 MB |
| 19 | Forest FightMarco Beltrami | Marco Beltrami | Play | 02:30 | 5 MB | 0 MB |
| 20 | Logan vs. X-24Marco Beltrami | Marco Beltrami | Play | 04:13 | 9 MB | 0 MB |
| 21 | Don't Be What They Made YouMarco Beltrami | Marco Beltrami | Play | 02:04 | 4 MB | 0 MB |
| 22 | Eternum - Laura's ThemeMarco Beltrami | Marco Beltrami | Play | 03:35 | 8 MB | 0 MB |
| 23 | Logan's LimoMarco Beltrami | Marco Beltrami | Play | 02:32 | 5 MB | 0 MB |
| 24 | Loco LoganMarco Beltrami | Marco Beltrami | Play | 01:20 | 3 MB | 0 MB |
| 25 | Logan DrivesMarco Beltrami | Marco Beltrami | Play | 02:08 | 4 MB | 0 MB |
| 57 mins | 132 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Pete Anthony | Conductor, Orchestration |
| 2 | Marco Beltrami | Composer, Liner Notes, Primary Artist |
| 3 | John Bergin | Art Direction |
| 4 | Ted Caplan | Music Editor, Music Supervisor |
| 5 | Tom Cavanaugh | Music Business Affairs |
| 6 | Johnny Choi | Music Supervisor |
| 7 | Vinny Cirrilli | Digital Engineer |
| 8 | Eric Craig | A&R |
| 9 | Danielle Diego | Executive in Charge of Music |
| 10 | Rossano Galante | Orchestration |
| 11 | Ellen Ginsburg | Music Clearance |
| 12 | Mark Graham | Music Copyist, Orchestration |
| 13 | Hollywood Studio Symphony Orchestra | Orchestra |
| 14 | John Kurlander | Engineer, Mixing |
| 15 | Erick Labson | Mastering |
| 16 | Tim Lauber | Engineer |
| 17 | Tyson Lozensky | Assistant Engineer, Digital Engineer |
| 18 | James Mangold | Executive Soundtrack Producer, Liner Notes |
| 19 | Brian McNelis | Executive Producer |
| 20 | Anton Monsted | Music Supervisor |
| 21 | Rebecca Morellato | Music Production Supervisor |
| 22 | Gregory Mueller | Engineer |
| 23 | Dana Niu | Orchestration |
| 24 | Joann Orgel | Soundtrack Coordination |
| 25 | Brandon Roberts | Additional Music |
| 26 | Peter Rotter | Orchestra Contractor |
| 27 | Buck Sanders | Score Producer |
| 28 | Jake Schlaerth | Harmonica (Glass) |
| 29 | Denis St. Amand | Stage Engineer |
| 30 | Tom Steel | Stage Manager |
| 31 | Damon Tedesco | Stage Manager |
| 32 | Marcus Trumpp | Additional Music |
| 33 | Skip Williamson | Executive Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |