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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) | Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt | Play | 01:45 | 4 MB | 0 MB |
| 2 | Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) | James Bowman, Christopher Robson | Play | 02:26 | 5 MB | 0 MB |
| 3 | Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) | Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt | Play | 04:25 | 10 MB | 0 MB |
| 4 | Miserere: VI. Redde mihi laetitiam (Haute-contre) | Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire | Play | 02:45 | 6 MB | 0 MB |
| 5 | Cantata, Vergnügte Ruh, beliebte Seelenlust, BWV 170: "Mir ekelt mehr zu leben" | René Jacobs/Linde Consort/Hans-Martin Linde | Play | 07:12 | 16 MB | 0 MB |
| 6 | Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis | Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken | Play | 03:16 | 7 MB | 0 MB |
| 7 | Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) | Charles Brett, Orchestra of Collegium Vocale, Ghent | Play | 05:27 | 12 MB | 0 MB |
| 8 | Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) | David Daniels | Play | 01:14 | 2 MB | 0 MB |
| 9 | Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) | David Daniels | Play | 03:53 | 8 MB | 0 MB |
| 10 | Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" | Gérard Lesne, Il Seminario Musicale | Play | 05:21 | 12 MB | 0 MB |
| 11 | Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) | Veronique Gens, Gérard Lesne, Il Seminario Musicale | Play | 02:08 | 4 MB | 0 MB |
| 12 | Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) | Charles Brett, Orchestra of Collegium Vocale, Ghent | Play | 04:26 | 10 MB | 0 MB |
| 13 | Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) | Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer | Play | 00:27 | 1 MB | 0 MB |
| 14 | Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) | Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer | Play | 05:14 | 12 MB | 0 MB |
| 15 | Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere | David Daniels, Orchestra Of The Age Of Enlightenment, Sir Roger Norrington | Play | 00:45 | 1 MB | 0 MB |
| 16 | Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) | David Daniels, Orchestra Of The Age Of Enlightenment, Sir Roger Norrington | Play | 03:08 | 7 MB | 0 MB |
| 17 | Tamerlano: A dispetto d'un volto ingrato | David Daniels, Orchestra Of The Age Of Enlightenment, Sir Roger Norrington | Play | 04:38 | 10 MB | 0 MB |
| 18 | Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 | Gérard Lesne/Steve Dugardin/La Canzona | Play | 03:18 | 7 MB | 0 MB |
| 19 | In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 | Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq | Play | 05:30 | 12 MB | 0 MB |
| 20 | Arminio, ACT II: Con quel sangue dipinta vedrai | Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis | Play | 04:15 | 9 MB | 0 MB |
| 21 | Admeto, rè di Tessaglia, HWV 22, Act 3 Scene 7: No. 36, Aria, "Armati, oh core, di cieco sdegno!" (Trasimede) | René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis | Play | 02:15 | 5 MB | 0 MB |
| 22 | If women could be fair | Michael Chance/Christopher Wilson | Play | 03:29 | 8 MB | 0 MB |
| 23 | Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a | Stephen Stubbs/Derek Lee Ragin | Play | 04:18 | 9 MB | 0 MB |
| 24 | Julius Caesar: Deep within my bosom burning | Sir Charles Mackerras | Play | 03:22 | 7 MB | 0 MB |
| 25 | The Choice of Hercules: Yet I can hear that dulcet lay | James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields | Play | 03:46 | 8 MB | 0 MB |
| 26 | The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice | Alfred Deller/String Orchestra/Terence Weil/Basil Lam | Play | 02:24 | 5 MB | 0 MB |
| 27 | St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) | Philippe Herreweghe/Andreas Scholl | Play | 06:39 | 15 MB | 0 MB |
| 28 | Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) | Philippe Herreweghe | Play | 05:42 | 13 MB | 0 MB |
| 29 | Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott | René Jacobs/Linde Consort/Hans-Martin Linde | Play | 04:33 | 10 MB | 0 MB |
| 30 | Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) | Sir Philip Ledger | Play | 03:34 | 8 MB | 0 MB |
| 31 | Saul: Your works, oh king | Paul Esswood/English Chamber Orchestra/Sir Philip Ledger | Play | 01:17 | 2 MB | 0 MB |
| 32 | Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) | Timothy Wilson/Taverner Players/Andrew Parrott | Play | 03:56 | 9 MB | 0 MB |
| 33 | He was despised (alto) from Messiah HWV56 (1994 Remastered Version) | Alfred Deller/Philharmonia Orchestra/George Weldon | Play | 06:45 | 15 MB | 0 MB |
| 34 | I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti | Gérard Lesne/Il Seminario Musicale/Michael Chance | Play | 01:03 | 2 MB | 0 MB |
| 35 | I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato | Gérard Lesne/Il Seminario Musicale/Michael Chance | Play | 05:08 | 11 MB | 0 MB |
| 129 mins | 297 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |