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This new album is classic Kitaro, with many layers of synthesizer and orchestral textures stating the themes.
There are more classical elements on this record, and a more "composed" feel to the songwriting.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | HajimariKitaro | Kitaro | Play | 03:34 | 8 MB | 15 MB |
| 2 | SozoKitaro | Kitaro | Play | 05:34 | 12 MB | 26 MB |
| 3 | KoiKitaro | Kitaro | Play | 06:29 | 14 MB | 32 MB |
| 4 | OrochiKitaro | Kitaro | Play | 07:08 | 16 MB | 39 MB |
| 5 | NagekiKitaro | Kitaro | Play | 05:46 | 13 MB | 26 MB |
| 6 | MatsuriKitaro | Kitaro | Play | 08:59 | 20 MB | 42 MB |
| 7 | ReimeiKitaro | Kitaro | Play | 08:36 | 19 MB | 41 MB |
| 46 mins | 105 MB | |||||
| 46 mins | 224 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Terry Adams | Cello |
| 2 | Jenny Amador | Violin |
| 3 | Hiroshi Araki | Guitar |
| 4 | Brian BecVar | Keyboards |
| 5 | Charlie Bisharat | Violin |
| 6 | Sharon Calonico | Violin |
| 7 | Sue Clarke | Editing |
| 8 | Barry Coates | Guitar |
| 9 | Jeremy Cohen | Concert Master |
| 10 | Keith Cowan | Percussion Technician |
| 11 | Jenney Culp | Cello |
| 12 | Erik Deutsch | Production Coordination |
| 13 | Mark Drury | Bass |
| 14 | Adrienne Duckworth | Violin |
| 15 | Bob Edwards | Assistant Engineer |
| 16 | Ron Erickson | Violin |
| 17 | Paul Erlich | Viola |
| 18 | Shinji Eshima | Bass |
| 19 | Tom Flye | Engineer, Mixing |
| 20 | Clif Foster | Violin |
| 21 | Ruth Freeman | Viola |
| 22 | Syoji Fujii | Drums |
| 23 | Hideo Funamoto | Timpani |
| 24 | Tim Gennert | Reissue Remastering |
| 25 | Linda Ghidossi-Deluca | Viola |
| 26 | Kio Griffith | Reissue Design |
| 27 | Reggie Hamilton | Bass |
| 28 | Stefan Hersh | Violin |
| 29 | Bobby Hickey | Concert Sound Engineer |
| 30 | Masakazu Hirao | Design |
| 31 | Jim Hurley | Viola |
| 32 | Kohhachi Itoch | Bass (Electric) |
| 33 | Roxanna Jacobson | Viola |
| 34 | Mike Jones | Monitor Engineer |
| 35 | Noboru Katoh | Assistant Engineer |
| 36 | Steven Kindler | Violin |
| 37 | Kitaro | Arranger, Composer, Primary Artist, Producer |
| 38 | Pat Klobas | Bass |
| 39 | Jun Kobayashi | Photography |
| 40 | Reijiro Koroku | Associate Producer, Musical Supervision |
| 41 | Matt Leach | Production Manager |
| 42 | Tristan Lehnert | Violin |
| 43 | George Marino | Mastering |
| 44 | Greg Mazmanian | Violin |
| 45 | Thalia Moore | Cello |
| 46 | Goofy Mori | Art Direction |
| 47 | Goofy Moti | Concept |
| 48 | Eiichi Naito | Executive Producer |
| 49 | Mike Negrin | Photography Director |
| 50 | Jeff Neighbor | Bass |
| 51 | Sharon O'Conner | Cello |
| 52 | Yasuo Ogata | Keyboards |
| 53 | Yokichi Ohsato | Executive Producer |
| 54 | Ken Park | Percussion |
| 55 | Anthony Payne | Producer |
| 56 | Carla Picchi | Violin |
| 57 | John Poole | Guitar Technician |
| 58 | Sasha Povianski | Keyboard Technician |
| 59 | Steve Purcell | Director, Editing |
| 60 | Dan Reiter | Cello |
| 61 | Carlos Rodriguez | Drums, Guitar Technician |
| 62 | Nathan Rubin | Concert Master |
| 63 | Irene Sazer | Violin |
| 64 | Casey Scheuerell | Drums |
| 65 | Carol Schwamberger | Violin |
| 66 | Jim Shallenberger | Violin |
| 67 | M.T. Silvia | Assistant Engineer |
| 68 | Tim Spears | Bass |
| 69 | Ronald Sternberg | Editing, Translation |
| 70 | Greg Sudmeier | Musical Director |
| 71 | John Tenney | Violin |
| 72 | Maureen Tunney | Production Coordination |
| 73 | Miyuki Ueda | Drawing |
| 74 | Sara Usher | Violin |
| 75 | Emily Van Valkenberg | Violin |
| 76 | Eline Van Den Ende | Violin |
| 77 | Kit Walker | Keyboards |
| 78 | Tim Ward | Editing |
| 79 | Tamara Wells | Producer |
| 80 | Hisashi Yamamoto | Executive Producer |
| 81 | Kazunobu Yanagi | Photography |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |