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In The Night-Time was Michael Henderson's third album and his only gold album (although its successor, 1980's Wide Receiver, sold respectably).
Fueling Night Time impressive sales was "Take Me, I'm Yours," a charming duet with Detroit singer Rena Scott that went to number three on Billboard's R&B singles chart and became his biggest hit.
"Take Me, I'm Yours" certainly didn't hurt the singer/bassist's reputation as a master of smooth romantic soul; nor did sexy slow jams like "We Can Go On," "Whisper In My Ear," "Am I Special" and the title song (a #15 R&B hit).
Funk isn't a high priority on this Buddah date (which The Right Stuff reissued on CD in 1994), but what little funk it does contain is first-rate.
As sophisticated and classy as Henderson was on ballads, the mostly instrumental "Happy" proves that he had no problem turning around and delivering the nastiest of funk grooves.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Take Me I'm YoursMichael Henderson | Michael Henderson | Play | 04:22 | 10 MB | 0 MB |
| 2 | We Can Go OnJoe Henderson, Michael Henderson, Rivers | Michael Henderson | Play | 06:16 | 14 MB | 0 MB |
| 3 | HappyMichael Henderson | Michael Henderson | Play | 06:01 | 13 MB | 0 MB |
| 4 | In the Night-TimeMichael Henderson, Sylvester Rivers | Michael Henderson | Play | 04:54 | 11 MB | 0 MB |
| 5 | Whisper in My EarJerry Jones | Michael Henderson | Play | 07:09 | 16 MB | 0 MB |
| 6 | Am I SpecialMichael Henderson | Michael Henderson | Play | 04:11 | 9 MB | 0 MB |
| 7 | One to One | Michael Henderson | Play | 04:58 | 11 MB | 0 MB |
| 8 | Yours Truly, Discreet Identity | Michael Henderson | Play | 03:46 | 8 MB | 0 MB |
| 41 mins | 95 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Johnny Allen | Horn Arrangements, String Arrangements |
| 2 | Keith Benson | Drums, Percussion |
| 3 | Paula Benson | Vocals (Background) |
| 4 | Yvette Benton | Vocals (Background) |
| 5 | Lorenzo Brown | Percussion |
| 6 | Gary Crista | ARP Synthesizer, Keyboards |
| 7 | Dirk Devlin | Engineer |
| 8 | Eli Fontaine | Saxophone |
| 9 | Jim Gallagher | Engineer |
| 10 | A. Scott Galloway | Liner Notes |
| 11 | Joe Henderson | Composer |
| 12 | Michael Henderson | Arranger, Bass, Clarinet (Alto), Composer, Guitar, Keyboards, Primary Artist, Producer, Vocals, Vocals (Background) |
| 13 | Barbara Ingram | Vocals (Background) |
| 14 | Randall Jacobs | Composer, Guitar |
| 15 | Mark Johnson | Clavinet, Organ, Synthesizer |
| 16 | Jerry Jones | Composer, Drums |
| 17 | Rod Lumpkin | Clavinet, Organ |
| 18 | Jay Mark | Engineer |
| 19 | Cheryl Norton | Vocals |
| 20 | Ray Parker, Jr. | Guitar |
| 21 | Rivers | Composer |
| 22 | Sylvester Rivers | Composer |
| 23 | Rudy Robinson | ARP Synthesizer, Keyboards |
| 24 | Rena Scott | Vocals |
| 25 | Milton Sincoff | Package Direction |
| 26 | Evan Solot | Trumpet |
| 27 | David Van De Pitte | Horn Arrangements, String Arrangements |
| 28 | Bill Weiner | Photography |
| 29 | Wayne Wilfing | Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |