| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Ace And Arms | Hiroyuki Sawano | Play | 05:17 | 12 MB | 0 MB |
| 2 | Analysis | Hiroyuki Sawano | Play | 02:42 | 6 MB | 0 MB |
| 3 | Athlete | Hiroyuki Sawano | Play | 02:10 | 5 MB | 0 MB |
| 4 | Advance | Hiroyuki Sawano | Play | 02:15 | 5 MB | 0 MB |
| 5 | Anxiety | Hiroyuki Sawano | Play | 03:10 | 7 MB | 0 MB |
| 6 | The Moment Of Dreams | Sekiyama Aika, Hiroyuki Sawano | Play | 04:44 | 10 MB | 0 MB |
| 7 | Will | Hiroyuki Sawano | Play | 04:50 | 11 MB | 0 MB |
| 8 | Black And Blue Room (TV Edit) | Hiroyuki Sawano | Play | 02:49 | 6 MB | 0 MB |
| 9 | Well | Hiroyuki Sawano | Play | 03:11 | 7 MB | 0 MB |
| 10 | Science Zero (Opening Theme) | Hiroyuki Sawano | Play | 03:16 | 7 MB | 0 MB |
| 11 | Science Zero 2012 (Opening Theme) | Hiroyuki Sawano | Play | 02:44 | 6 MB | 0 MB |
| 12 | Science Zero (Ending Theme) | Hiroyuki Sawano | Play | 03:47 | 8 MB | 0 MB |
| 13 | Science Zero 2012 (Ending Theme) | Hiroyuki Sawano | Play | 02:43 | 6 MB | 0 MB |
| 14 | Itsuka | Hiroyuki Sawano | Play | 05:33 | 12 MB | 0 MB |
| 15 | Itsuka (Guitar) | Hiroyuki Sawano | Play | 03:27 | 7 MB | 0 MB |
| 16 | Itsuka (Volin Guitar) | Hiroyuki Sawano | Play | 02:56 | 6 MB | 0 MB |
| 17 | Ace (Piano Version) | Hiroyuki Sawano | Play | 02:24 | 5 MB | 0 MB |
| 18 | Will (Piano) | Hiroyuki Sawano | Play | 03:02 | 6 MB | 0 MB |
| 19 | Science Zero (Piano Arrange) | Hiroyuki Sawano | Play | 03:53 | 8 MB | 0 MB |
| 20 | Itsuka (Piano) | Hiroyuki Sawano | Play | 03:16 | 7 MB | 0 MB |
| 68 mins | 157 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |






