Sale!
Robert Palmer cloned his hard rock Riptide style for its follow-up, his debut album on EMI, and was rewarded with the number two hit "Simply Irresistible," even if the formula was beginning to sound thin.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Simply IrresistibleRobert Palmer | Robert Palmer | Play | 04:14 | 9 MB | 28 MB |
| 2 | More Than EverRobert Palmer | Robert Palmer | Play | 03:25 | 7 MB | 21 MB |
| 3 | Change His WaysRobert Palmer | Robert Palmer | Play | 02:56 | 6 MB | 20 MB |
| 4 | Disturbing Behavior | Robert Palmer | Play | 03:45 | 8 MB | 24 MB |
| 5 | Early in the MorningLonnie Simmons, R. Taylor, Charlie Wilson | Robert Palmer | Play | 04:42 | 10 MB | 28 MB |
| 6 | It Could Happen to You | Robert Palmer | Play | 02:33 | 5 MB | 11 MB |
| 7 | She Makes My DayRobert Palmer | Robert Palmer | Play | 04:23 | 10 MB | 27 MB |
| 8 | Between UsRobert Palmer | Robert Palmer | Play | 04:49 | 11 MB | 29 MB |
| 9 | Casting a SpellRobert Palmer | Robert Palmer | Play | 03:57 | 9 MB | 25 MB |
| 10 | Tell Me I'm Not Dreaming | Robert Palmer | Play | 03:47 | 8 MB | 25 MB |
| 38 mins | 88 MB | |||||
| 38 mins | 243 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Luka Belak | Violin, Vocals |
| 2 | Frank Blair | Bass |
| 3 | Geoff Bova | Keyboards |
| 4 | Jeff Bova | Keyboards |
| 5 | Geoff Bowa | Keyboards |
| 6 | William Bryant | Keyboards |
| 7 | Dennis Budimir | Guitar |
| 8 | Richard Coble | Production Coordination |
| 9 | Rick Danko | Guest Artist, Vocals |
| 10 | Terry Donovan | Cover Photo, Photography |
| 11 | Bookie Espie | Assistant Engineer |
| 12 | Ricky Fataar | Drums |
| 13 | Chuck Findley | Trumpet |
| 14 | Clare Fischer | Strings |
| 15 | Scott Forman | Assistant Engineer, Mixing Assistant |
| 16 | Richard Gibbs | Keyboards |
| 17 | John Grey | Guitar, Percussion, Producer |
| 18 | David Harper | Executive Producer |
| 19 | Garth Hudson | Accordion, Keyboards |
| 20 | B. Johnson | Bass |
| 21 | Barry Sonjohn Johnson | Bass |
| 22 | Tim Kraemer | Engineer |
| 23 | Tim Kramer | Engineer |
| 24 | Robyn Lobe | Percussion |
| 25 | Henry Marquez | Design |
| 26 | Eddie Martinez | Guitar |
| 27 | B.J. Nelson | Guest Artist, Vocals |
| 28 | Robert Palmer | Art Direction, Bass, Composer, Drums, Guitar, Keyboards, Primary Artist, Producer, Vocals |
| 29 | Dom Um Romão | Percussion, Vocals |
| 30 | Lonnie Simmons | Composer |
| 31 | Roy Sweeting | Assistant Engineer, Mixing Assistant |
| 32 | R. Taylor | Composer |
| 33 | Eric "ET" Thorngren | Mixing |
| 34 | T-Bone Walker | Accordion |
| 35 | Lynd Ward | Illustrations, Woodcut |
| 36 | Charlie Wilson | Composer |
| 37 | T-Bone Wolk | Accordion |
| 38 | Dany Wynn | Drums |
| 39 | Dony Wynn | Drums |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |