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The aptly titled GATE SWINGS finds the Texas roots music legend harking back to the big band blues/jazz hybrids popular in the late 1940s.
Clarence "Gatemouth" Brown's own work from the '40s and '50s (see the Rounder reissue THE ORIGINAL PEACOCK RECORDINGS) was heavily influenced by these styles.
His deft, inventive guitar work, bluesy vocals, and astonishing ability to harness the goosebump-inducing power of an R&B big band are as evident on this 1997 release as they were some 50 years earlier.
.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Honey DewHarold Floyd | Clarence "Gatemouth" Brown | Play | 04:02 | 9 MB | 23 MB |
| 2 | Toughen UpLloyd Jones | Clarence "Gatemouth" Brown | Play | 04:11 | 9 MB | 24 MB |
| 3 | Take the "A" TrainBilly Strayhorn | Clarence "Gatemouth" Brown | Play | 04:18 | 9 MB | 26 MB |
| 4 | Too Late BabyClarence "Gatemouth" Brown | Clarence "Gatemouth" Brown | Play | 05:10 | 11 MB | 30 MB |
| 5 | Gate's Blues WaltzClarence "Gatemouth" Brown, Wardell Quezergue | Clarence "Gatemouth" Brown | Play | 04:46 | 10 MB | 28 MB |
| 6 | Bits and PiecesClarence "Gatemouth" Brown, Roy Eldridge, Milt Jackson, Gene Krupa | Clarence "Gatemouth" Brown | Play | 05:33 | 12 MB | 32 MB |
| 7 | One O'Clock JumpCount Basie | Clarence "Gatemouth" Brown | Play | 04:20 | 9 MB | 27 MB |
| 8 | Take Me Back, BabyCount Basie, Jimmy Rushing | Clarence "Gatemouth" Brown | Play | 03:56 | 9 MB | 23 MB |
| 9 | Since I Fell for YouBuddy Johnson | Clarence "Gatemouth" Brown | Play | 03:48 | 8 MB | 20 MB |
| 10 | Flying HomeBenny Goodman, Lionel Hampton, Sydney Robin | Clarence "Gatemouth" Brown | Play | 02:40 | 6 MB | 17 MB |
| 42 mins | 98 MB | |||||
| 42 mins | 254 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Jean-Philippe Allard | Executive Producer |
| 2 | Count Basie | Composer |
| 3 | Jim Bateman | Producer |
| 4 | Warren Bell | Sax (Alto) |
| 5 | Clarence "Gatemouth" Brown | Arranger, Composer, Guitar, Harmonica, Primary Artist, Vocals |
| 6 | Jay Burton | Assistant Engineer |
| 7 | Bobby Campo | Trumpet |
| 8 | Matt Coby | Assistant Engineer |
| 9 | Tony Dagradi | Sax (Tenor) |
| 10 | Tony Daigle | Mastering |
| 11 | Eric Demmer | Sax (Alto) |
| 12 | Frank Driggs | Photography |
| 13 | Roy Eldridge | Composer |
| 14 | David Farrell | Engineer |
| 15 | Harold Floyd | Bass, Composer |
| 16 | Anthony Frigo | Sax (Baritone) |
| 17 | Benny Goodman | Composer |
| 18 | Benny Graeff | Assistant Engineer |
| 19 | Gene Gunulfsen | Vocals |
| 20 | Lionel Hampton | Composer |
| 21 | Nate Herr | Release Coordinator |
| 22 | Milt Jackson | Composer |
| 23 | Buddy Johnson | Composer |
| 24 | Lloyd Jones | Composer |
| 25 | Joe Krown | Organ (Hammond), Piano |
| 26 | Gene Krupa | Composer |
| 27 | Percy Mayfield | Composer |
| 28 | James Minchin | Photography |
| 29 | Fleecie Moore | Composer |
| 30 | Fleecy Moore | Composer |
| 31 | Ray Moore | Sax (Alto) |
| 32 | Jay Newland | Engineer |
| 33 | Brian O'Neill | Trombone |
| 34 | David Peters | Drums |
| 35 | Wardell Quezergue | Arranger, Composer, Conductor |
| 36 | Sydney Robin | Composer |
| 37 | Jimmy Rushing | Composer |
| 38 | Jamil Sharif | Trumpet |
| 39 | John Snyder | Producer |
| 40 | Billy Strayhorn | Composer |
| 41 | John Touchy | Trombone |
| 42 | Eric Traub | Sax (Tenor) |
| 43 | Giulio Turturro | Art Direction, Design |
Clarence 'Gatemouth' Brown
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| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |