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Here, the MMW direction and loyalties become very clear; they're possessed and driven by the fatback funk and instruments of an earlier generation.
John Medeski becomes one of the wave of keyboardists in the '90s who started dragging wonderful old Wurlitzer electric pianos, Hohner clavinets, Hammond organs, wah-wah pedals, and other devices out of the mothballs, and used them almost as quasi-percussion instruments at times.
Chris Wood remains resolutely on standup bass, playing with a great feeling for Billy Martin's supremely funky drumming.
Some of the results harken back to Miles Davis' jungle bands of the mid-'70s, picking up on the atonality and crosstalk over the JB's/Sly Stone beat ("We're So Happy").
Others are just happy to groove along on the rhythms of some of the most irresistible group chemistry of the 1990s.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The LoverBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 06:19 | 14 MB | 38 MB |
| 2 | Paper BassBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 00:55 | 2 MB | 3 MB |
| 3 | House MopBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 03:46 | 8 MB | 22 MB |
| 4 | Baby ClamsBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 01:14 | 2 MB | 6 MB |
| 5 | We're So HappyBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 08:17 | 18 MB | 46 MB |
| 6 | ShackBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 03:06 | 7 MB | 17 MB |
| 7 | TeaBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 01:12 | 2 MB | 4 MB |
| 8 | SequelBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 05:24 | 12 MB | 32 MB |
| 9 | Friday Afternoon in the UniverseBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 06:01 | 13 MB | 27 MB |
| 10 | Billy's Tool BoxBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 00:35 | 1 MB | 2 MB |
| 11 | Chubb SubBilly Martin, John Medeski, Chris Wood | Medeski, Martin & Wood | Play | 05:03 | 11 MB | 30 MB |
| 12 | Between Two Limbs | Medeski Martin & Wood | Play | 01:03 | 2 MB | 5 MB |
| 13 | Khob Khun Krub | Medeski Martin & Wood | Play | 00:52 | 1 MB | 3 MB |
| 14 | Pakalolo | Medeski Martin & Wood | Play | 09:25 | 21 MB | 45 MB |
| 53 mins | 121 MB | |||||
| 53 mins | 288 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | David Baker | Engineer, Producer |
| 2 | Danny Blume | Guitar |
| 3 | Duke Ellington | Composer |
| 4 | Martyn Gallina-Jones | Photography |
| 5 | Carl Green | Composer, Flute |
| 6 | Billy Martin | Artwork, Composer, Drums, Percussion |
| 7 | John Medeski | Clavinet, Composer, Organ, Piano, Wurlitzer |
| 8 | Medeski, Martin & Wood | Primary Artist |
| 9 | Toby Mountain | Mastering |
| 10 | Jimmy Payne | Producer |
| 11 | Bob Ward | Editing |
| 12 | Chris Wood | Bass (Acoustic), Composer, Flute, Harmonica |
Medeski Martin & Wood
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| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |