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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The MoleHans Zimmer | Hans Zimmer | Play | 05:35 | 12 MB | 26 MB |
| 2 | We Need Our Army BackHans Zimmer | Hans Zimmer | Play | 06:28 | 14 MB | 29 MB |
| 3 | Shivering SoldierHans Zimmer | Hans Zimmer | Play | 02:52 | 6 MB | 9 MB |
| 4 | SupermarineHans Zimmer | Hans Zimmer | Play | 08:03 | 18 MB | 54 MB |
| 5 | The TideHans Zimmer | Hans Zimmer | Play | 03:48 | 8 MB | 17 MB |
| 6 | Regimental BrothersHans Zimmer | Hans Zimmer | Play | 05:04 | 11 MB | 24 MB |
| 7 | ImpulseHans Zimmer | Hans Zimmer | Play | 02:36 | 6 MB | 14 MB |
| 8 | HomeHans Zimmer | Hans Zimmer | Play | 06:02 | 13 MB | 38 MB |
| 9 | The OilHans Zimmer | Hans Zimmer | Play | 06:10 | 14 MB | 34 MB |
| 10 | Variation 15 (Dunkirk)Hans Zimmer | Hans Zimmer | Play | 05:51 | 13 MB | 29 MB |
| 11 | End Titles (Dunkirk) | Hans Zimmer | Play | 07:12 | 16 MB | 35 MB |
| 59 mins | 137 MB | |||||
| 59 mins | 314 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Nico Abondolo | Bass |
| 2 | Laurence Anslow | Pro-Tools |
| 3 | Lorne Balfe | Score Producer |
| 4 | Johnny Britt | Trumpet |
| 5 | Paul Broucek | Executive in Charge of Music |
| 6 | Ed Buller | Synthesizer Programming |
| 7 | Alison Burton | Booking |
| 8 | John Witt Chapman | Assistant Engineer, Engineer |
| 9 | Chuck Choi | Technical Engineer |
| 10 | Forest Christenson | Assistant Engineer |
| 11 | Steven Doar | Technical Assistance |
| 12 | Edward Elgar | Theme |
| 13 | Stephen Erdody | Cello |
| 14 | Alex Ferguson | Assistant Engineer |
| 15 | Geoff Foster | Engineer |
| 16 | Patricia Sullivan Fourstar | Mastering |
| 17 | Bruce Fowler | Supervising Orchestrator |
| 18 | Walt Fowler | Orchestration |
| 19 | Alex Gibson | Supervising Editor |
| 20 | Gavin Greenaway | Conductor |
| 21 | Isobel Griffiths | Orchestra Contractor |
| 22 | Tina Guo | Cello, Electric Cello |
| 23 | Taurees Habib | Sampling |
| 24 | Andrew Kawczynski | Additional Music |
| 25 | Steven Kofsky | Production Service |
| 26 | David Krystal | Orchestration |
| 27 | Michael Levine | Hardanger Fiddle, Viola, Violin |
| 28 | Jeremy Levy | Orchestration |
| 29 | Jon Lewis | Trumpet |
| 30 | Jason Linn | Executive in Charge of Music |
| 31 | Lisa Margolis | Music Business Affairs |
| 32 | Steve Mazzaro | Sequencing Programmer |
| 33 | Stephanie McNally | Technical Engineer |
| 34 | Alan Meyerson | Mixing |
| 35 | Perry Montague-Mason | Orchestra Leader |
| 36 | Suzette Moriarty | Orchestration |
| 37 | Christopher Nolan | Liner Notes, Soundtrack Producer |
| 38 | Andy Page | Additional Music |
| 39 | Cynthia Park | Composer's Assistant |
| 40 | Alfredo Pasquel | Engineer |
| 41 | Benjamin Powell | Violin |
| 42 | Satnam Ramgotra | Additional Music, Percussion |
| 43 | Peter Rotter | Contractor |
| 44 | Ryan Rubin | Editing |
| 45 | Carl Rydlund | Orchestration |
| 46 | Howard Scarr | Synthesizer Programming |
| 47 | Shalini Singh | Studio Manager |
| 48 | Chas Smith | Unknown Instrument |
| 49 | Sandeep Sriram | Art Direction |
| 50 | Jill Streater | Music Librarian |
| 51 | Raul Vega | Sampling |
| 52 | Seth Waldmann | Engineer |
| 53 | Benjamin Wallfisch | Conductor |
| 54 | Derrick Werle | Technical Assistance |
| 55 | Mark Wherry | Instrument Design |
| 56 | Booker T. White | Preparation |
| 57 | Hans Zimmer | Composer, Primary Artist, Producer, Soundtrack Producer, Synthesizer Programming |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |