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Recorded in 1959 in Rio de Janeiro, Brazil, DIETRICH IN RIO is an atypically bouncy live recording.
Rather than the world-weary chanteuse persona that made Marlene Dietrich's career, this cabaret set finds Dietrich in a sly, almost silly mood, singing with lusty humor and coy flirtatiousness.
The material is all in English, and largely consists of American pop standards like "Makin' Whoopee," "All Right, Okay, You Win," and a rendition of "One For My baby" minus the mopey self-pity of Frank Sinatra's better-known arrangement.
Dietrich's voice is huskier than it was in her heyday, but this suits the material, which has been rearranged to fit her new lower register, very well.
The version of her signature song, "Falling In Love Again," is superb.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Look Me Over CloselyFrederick Hollander | Marlene Dietrich | Play | 02:44 | 6 MB | 17 MB |
| 2 | You're the Cream in My CoffeeLew Brown, Buddy DeSylva, Ray Henderson | Marlene Dietrich | Play | 02:30 | 5 MB | 12 MB |
| 3 | My Blue HeavenWalter Donaldson, George A. Whiting | Marlene Dietrich | Play | 02:50 | 6 MB | 14 MB |
| 4 | The Boys in the BackroomFrederick Hollander, Frank Loesser | Marlene Dietrich | Play | 02:00 | 4 MB | 4 MB |
| 5 | Alright, Okay, You WinMayme Watts, Sidney Wyche | Marlene Dietrich | Play | 02:31 | 5 MB | 14 MB |
| 6 | I've Grown Accustomed to Her FaceAlan Jay Lerner, Frederick Loewe | Marlene Dietrich | Play | 04:30 | 10 MB | 23 MB |
| 7 | Maybe I'll Come Back | Marlene Dietrich | Play | 02:26 | 5 MB | 15 MB |
| 8 | Das Lied Ist Aus | Marlene Dietrich | Play | 04:01 | 9 MB | 21 MB |
| 9 | Je Tire La Reverence | Marlene Dietrich | Play | 03:28 | 7 MB | 18 MB |
| 10 | Makin' Whoopee (Live) | Marlene Dietrich | Play | 04:03 | 9 MB | 24 MB |
| 11 | One for My Baby | Marlene Dietrich | Play | 04:15 | 9 MB | 20 MB |
| 12 | Luar Do Serato | Marlene Dietrich | Play | 02:07 | 4 MB | 10 MB |
| 37 mins | 86 MB | |||||
| 37 mins | 198 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Harold Arlen | Composer |
| 2 | Burt Bacharach | Supervisor |
| 3 | Pascal Bastia | Composer |
| 4 | Lew Brown | Composer |
| 5 | Buddy DeSylva | Composer |
| 6 | Marlene Dietrich | Primary Artist, Vocals |
| 7 | Walter Donaldson | Composer |
| 8 | Ray Henderson | Composer |
| 9 | Frederick Hollander | Composer |
| 10 | Gus Kahn | Composer |
| 11 | Alan Jay Lerner | Composer |
| 12 | Frank Loesser | Composer |
| 13 | Frederick Loewe | Composer |
| 14 | Johnny Mercer | Composer |
| 15 | Traditional | Composer |
| 16 | Mayme Watts | Composer |
| 17 | George A. Whiting | Composer |
| 18 | Sidney Wyche | Composer |
Marlene Dietrich
$3.99
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |