W/ Ben Webster.
These aren't encounters in the confrontational sense, but a merger of great musical minds.
$ 4.99 – $ 6.99
W/ Ben Webster.
These aren't encounters in the confrontational sense, but a merger of great musical minds.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Blues for YolandeColeman Hawkins | Coleman Hawkins, Ben Webster | Play | 06:48 | 15 MB | 39 MB | 
| 2 | It Never Entered My MindLorenz Hart, Richard Rodgers | Coleman Hawkins, Ben Webster | Play | 05:50 | 13 MB | 30 MB | 
| 3 | La RositaPaul Dupont, Gus Haenschen, Lester O'Keefe, Allan Stuart | Coleman Hawkins, Ben Webster | Play | 05:06 | 11 MB | 27 MB | 
| 4 | You'd Be So Nice to Come Home ToCole Porter | Coleman Hawkins, Ben Webster | Play | 04:19 | 9 MB | 23 MB | 
| 5 | Prisoner of LoveRuss Columbo, Clarence Gaskill, Leo Robin | Coleman Hawkins, Ben Webster | Play | 04:16 | 9 MB | 22 MB | 
| 6 | TangerineJohnny Mercer, Victor Schertzinger | Coleman Hawkins, Ben Webster | Play | 05:24 | 12 MB | 29 MB | 
| 7 | Shine on Harvest MoonNora Bayes, Jack Norworth | Coleman Hawkins, Ben Webster | Play | 04:59 | 11 MB | 27 MB | 
| 8 | Blues for YolandeColeman Hawkins | Coleman Hawkins, Ben Webster | Play | 06:48 | 15 MB | 39 MB | 
| 9 | Blues for YolandeColeman Hawkins | Coleman Hawkins, Ben Webster | Play | 06:48 | 15 MB | 39 MB | 
| 50 mins | 115 MB | |||||
| 50 mins | 279 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Nora Bayes | Composer | 
| 2 | Ray Brown | Bass, Guest Artist | 
| 3 | Russ Columbo | Composer | 
| 4 | Paul Dupont | Composer | 
| 5 | Herb Ellis | Guest Artist, Guitar | 
| 6 | Clarence Gaskill | Composer | 
| 7 | Burt Goldblatt | Photography | 
| 8 | Norman Granz | Producer | 
| 9 | Suha Gur | Mastering | 
| 10 | Gus Haenschen | Composer | 
| 11 | Lorenz Hart | Composer | 
| 12 | Coleman Hawkins | Composer, Primary Artist, Sax (Tenor) | 
| 13 | Nat Hentoff | Liner Notes | 
| 14 | Paul J. Hoeffler | Photography | 
| 15 | Herman Leonard | Photography | 
| 16 | Patricia Lie | Art Direction | 
| 17 | Sheryl Lutz-Brown | Design | 
| 18 | Johnny Mercer | Composer | 
| 19 | Aric Lach Morrison | Production Coordination | 
| 20 | Hat Nguyen | Art Direction | 
| 21 | Jack Norworth | Composer | 
| 22 | Lester O'Keefe | Composer | 
| 23 | Oscar Peterson | Guest Artist, Piano | 
| 24 | Cole Porter | Composer | 
| 25 | Peter Pullman | Editing | 
| 26 | Leo Robin | Composer | 
| 27 | Richard Rodgers | Composer | 
| 28 | Victor Schertzinger | Composer | 
| 29 | Richard Seidel | Executive Producer | 
| 30 | Robert Silverberg | Assistant Producer | 
| 31 | Alvin Stoller | Drums | 
| 32 | Allan Stuart | Composer | 
| 33 | Ben Webster | Performer, Primary Artist, Sax (Tenor) | 
| Quality | Format | Encoding | Description | 
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. | 
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |