Billy Porter Presents: The Soul of Richard Rodgers may come as a bit of surprise to his theater fans, following two other Broadway-themed records that took on a more, shall we say, orchestra-pit-friendly demeanor.

Even 2005's appropriately titled At the Corner of Broadway + Soul, a live album with relatively limited accompaniment, kept its footing in the showmanship and vibrato of the Great White Way.

Here, Porter instead commits to a decidedly urban contemporary approach, in terms of both production and delivery.

It's a sound that recalls the '80s and '90s, including, for longtime Porter fans, his Untitled debut from 1997.

The record is also meaningfully a "Billy Porter Presents" rather than a "Billy Porter Sings" album; he is featured on five of its twelve tracks, mostly duets.

Those and the rest of the set are loaded with high-powered guests, who share over a half-dozen Tony and Grammy Awards, and many more nominations, between them.

(Porter himself won a Tony in 2013 for Best Actor in a Musical for Kinky Boots.) They include Hamilton original Broadway cast members Leslie Odom, Jr., Renée Elise Goldsberry, and Christopher Jackson.

The latter two reimagine "If I Loved You" from Rodgers & Hammerstein's Carousel with jazzy keyboards, funky bass, and a small chorus of soulful backing vocals.

In a perhaps surprising move, given that it's often a highlight wherever it appears, Porter hands over Rodgers & Hart's "My Funny Valentine" to 2016 Tony winner Cynthia Erivo (The Color Purple), who does a smooth R&B rendition befitting the album's sultry tone.

Among the more unexpected guests are Pentatonix, who open the track list with a stylized, syncopated soul twist on "Oh, What a Beautiful Morning," backing Porter's lead.

Porter also does a duet with India.Arie, "Carefully Taught," from South Pacific, that's one of a few socially conscious tunes in the rotation.

Also from South Pacific, "I’m Gonna Wash That Man Right Outta My Hair," apparently selected for the phrase, is made into one.

A duet between our presenter and Todrick Hall, it quickly trades the show tune's melody for some scathing and timely raps and vocal vamps directed at a certain reality star-turned-president ("Show him what the door is for").

A funky "Lady Is a Tramp" with rapper Zaire Park also takes liberties with the lyrics, and a solo Porter closes the album with a song he performed for Concert for America, which offered counterprogramming for Donald Trump's inauguration earlier in 2017.

It's an R&B-styled reinvention of "Edelweiss" that maintains the original's sincerity and political subtext, with added commentary.

For listeners not put off by the non-traditional takes or its 2017 context, the album delivers on talent and soul -- with gusto.