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This ill-advised compilation rudely splices early ballads from Gary Moore's "metal period" ("Empty Rooms," "Johnny Boy") with his better-known latter-day blues experiments ("Midnight Blues," "Story of the Blues").
It's mostly solid material notwithstanding; however, this record can only be described as a doomed marriage -- the kind that could only have made sense to awful people like record company execs.
Even worse, the record exposes the troubling similarity between 1979's "Parisienne Walkways" (co-written by Thin Lizzy main man Phil Lynott) and 1990's "Still Got the Blues" (Moore's biggest stateside success) in a blatant case of self-plagiarism.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Always Gonna Love YouGary Moore | Gary Moore | Play | 03:54 | 0 MB | 24 MB |
| 2 | Still Got the BluesGary Moore | Gary Moore | Play | 04:10 | 0 MB | 25 MB |
| 3 | Empty RoomsNeil Carter, Gary Moore | Gary Moore | Play | 04:15 | 0 MB | 27 MB |
| 4 | Parisienne WalkwaysPhil Lynott, Gary Moore | Gary Moore | Play | 06:47 | 0 MB | 41 MB |
| 5 | One DayGary Moore | Gary Moore | Play | 04:00 | 0 MB | 27 MB |
| 6 | Separate WaysGary Moore | Gary Moore | Play | 04:54 | 0 MB | 30 MB |
| 7 | Story of the BluesGary Moore | Gary Moore | Play | 06:39 | 0 MB | 42 MB |
| 8 | Crying in the ShadowsGary Moore | Gary Moore | Play | 05:00 | 0 MB | 31 MB |
| 9 | With Love (Remember)Gary Moore | Gary Moore | Play | 07:05 | 0 MB | 40 MB |
| 10 | Midnight BluesGary Moore | Gary Moore | Play | 04:58 | 0 MB | 26 MB |
| 11 | Falling in Love with YouGary Moore, Neumann, Victor Young | Gary Moore | Play | 04:05 | 0 MB | 27 MB |
| 12 | Jumpin' at ShadowsDuster Bennett | Gary Moore | Play | 04:21 | 0 MB | 21 MB |
| 13 | Blues for NaradaGary Moore | Gary Moore | Play | 07:40 | 0 MB | 46 MB |
| 14 | Johnny BoyGary Moore | Gary Moore | Play | 03:11 | 0 MB | 16 MB |
| 0 mins | 0 MB | |||||
| 71 mins | 429 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | James Barton | Producer |
| 2 | Duster Bennett | Composer |
| 3 | Chris Blair | Mastering |
| 4 | Neil Carter | Composer |
| 5 | Peter Collins | Producer |
| 6 | Jeff Glixman | Producer |
| 7 | Steve Levine | Producer |
| 8 | Phil Lynott | Composer |
| 9 | Gered Mankowitz | Photography |
| 10 | Gary Moore | Composer, Guitar, Primary Artist, Producer, Vocals |
| 11 | Neumann | Composer |
| 12 | Mike "Clay" Stone | Producer |
| 13 | Ian Taylor | Producer |
| 14 | Victor Young | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |