Sale!
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | SheBob Baldwin | Will Downing | Play | 04:04 | 9 MB | 28 MB |
| 2 | I'll WaitWill Downing, M. Graves | Will Downing | Play | 04:30 | 10 MB | 30 MB |
| 3 | Giving My All to YouWill Downing, Barry J. Eastmond | Will Downing | Play | 04:51 | 11 MB | 34 MB |
| 4 | I TryAngela Bofill | Will Downing | Play | 05:15 | 12 MB | 34 MB |
| 5 | For All We KnowJ. Fred Coots, Sam M. Lewis | Will Downing | Play | 05:32 | 12 MB | 30 MB |
| 6 | Something's Going OnTony Bowry | Will Downing | Play | 04:07 | 9 MB | 28 MB |
| 7 | Don't Make Me WaitWill Downing, Barry J. Eastmond | Will Downing | Play | 04:23 | 10 MB | 29 MB |
| 8 | I Go CrazyPaul Davis | Will Downing | Play | 04:41 | 10 MB | 29 MB |
| 9 | No Love Intended | Will Downing | Play | 04:24 | 10 MB | 29 MB |
| 10 | The World Is a GhettoSylvester Allen, Harold Brown, B.B. Dickerson | Will Downing | Play | 05:22 | 12 MB | 37 MB |
| 47 mins | 108 MB | |||||
| 47 mins | 311 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Sylvester Allen | Composer |
| 2 | Victor Bailey | Bass |
| 3 | Bob Baldwin | Composer |
| 4 | Tinker Barfield | Bass |
| 5 | Michael Bearden | Fender Rhodes, Piano |
| 6 | Carl Beatty | Engineer |
| 7 | Angela Bofill | Composer |
| 8 | Tony Bowry | Composer |
| 9 | Wayne Brathwaite | Bass, Engineer, Keyboards, Producer, Programming |
| 10 | Harold Brown | Composer |
| 11 | Jonathan Butler | Guitar, Scat, Soloist |
| 12 | Roger Byam | Sax (Soprano), Soloist |
| 13 | Carl Carter | Bass |
| 14 | Michael Carvin | Drums |
| 15 | Earl Cohen | Engineer, Mixing |
| 16 | Iris Cohen | Assistant Engineer |
| 17 | J. Fred Coots | Composer |
| 18 | Kenny Davis & The Melodyaires | Bass (Acoustic) |
| 19 | Paul Davis | Composer |
| 20 | Craig Derry | Vocals (Background) |
| 21 | B.B. Dickerson | Composer |
| 22 | Will Downing | Composer, Keyboards, Primary Artist, Producer, Rhythm Arrangements, Vocal Arrangement, Vocals (Background) |
| 23 | Barry J. Eastmond | Arranger, Composer, Keyboards, Percussion, Piano, Producer, Rhythm Arrangements |
| 24 | Kevin Eubanks | Guitar, Guitar (Acoustic) |
| 25 | Carol Friedman | Art Direction, Photography |
| 26 | David Grant | Synthesizer Strings |
| 27 | M. Graves | Composer |
| 28 | Mike Graves | Keyboards, Rhythm Arrangements |
| 29 | Onaje Allan Gumbs | Keyboards, Piano, Producer, Rhythm Arrangements, String Arrangements, Synthesizer, Synthesizer Arrangements |
| 30 | Omar Hakim | Drums |
| 31 | Mike Harlow | Assistant Engineer |
| 32 | Alec Head | Engineer, Mixing |
| 33 | Eddie Henderson | Soloist, Trumpet |
| 34 | Vincent Henry | Sax (Alto), Soloist |
| 35 | Anthony Jackson | Bass |
| 36 | Bashiri Johnson | Percussion |
| 37 | Curtis King | Vocals (Background) |
| 38 | Hollis King | Art Direction |
| 39 | Sky King | Sampling |
| 40 | Matt Lane | Assistant Engineer |
| 41 | J.T. Lewis | Drums |
| 42 | Sam M. Lewis | Composer |
| 43 | Zane Mark | Arranger, Horn Arrangements, Keyboards, Producer, Programming, Synthesizer, Synthesizer Programming |
| 44 | Skip McDonald | Guitar (Acoustic), Soloist |
| 45 | Larry McRae | Bass |
| 46 | Cameron Mizell | Production Coordination |
| 47 | Scott Mubuchi | Engineer |
| 48 | B.J. Nelson | Vocals (Background) |
| 49 | Kevin Reeves | Mastering |
| 50 | Eric Rehl | Synthesizer, Synthesizer Programming |
| 51 | Patrick Roques | Design |
| 52 | Anthony Saunders | Assistant Engineer |
| 53 | Ira Siegel | Guitar |
| 54 | Roger Squitero | Percussion |
| 55 | Steve Thornton | Percussion |
| 56 | Chris Trevett | Assistant Engineer |
| 57 | Harry Weinger | Reissue Producer |
| 58 | Audrey Wheeler | Vocals (Background) |
| 59 | Dan Wilensky | Sax (Soprano), Soloist |
| 60 | Buddy Williams | Drums |
| 61 | John Wise | Assistant Engineer |
| 62 | Isabelle Wong | Package Design |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |